Mic Studio
Home Recording Studio Tutorial
Assembling a home recording studio is tricky and you spend tons of money and get poor recordings. That’s why I think it’s really important to know how what’s important and what is not in your home recording.
First, you need to establish your budget. Anything over $300 will do just fine, but I’ll show you there are things you can buy and still get quality recordings if your budget is lower.
The first piece of the recording gear is the microphone, so be sure to get a quality mic. AT has pretty cool mics around $100, but you can go for NT1 or other Condenser Microphones. It’s all about your budget. Remember to read as many reviews as you can about the mic before buying it.
Next in the recording chain is the audio interface. If you have a PC you can buy a soundcard. M-Audio products are really good, but I still recommend getting an external audio interface. It will give you more mobility and usually brings better quality to your recordings. There are plenty of audio interfaces on the market, you just need to scout the best one that fits your budget.
You’ll be needing some headphones and some studio monitors for mixing your songs. Headphones are not that important, anything will do. Remember to buy a pop filter, a mic stand and some cables and connectors for your audio interface.
These are the most important things you need to buy in your home recording studio. But you can always improve your setup buying a mixer. This allows you to connect and record different instruments. You can treat the recording room with acoustic foam. This will get rid of backroung noise from outdoors and it will help you get a clear perception on the sound when you mix it. As an alternative you can make your own acoustic foam using egg crates. This worked great for me on my first home studio when I was on a really tight budget.
You can record and mix your song using free software. Plenty of them available on the internet. I recommend this home recording studio setup. You’ll find there some of the best home studio products along with prices, pictures and features.
About the Author
I love to help people fulfill their dreams…
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Turtleneck & Chain $29.98 This deluxe fanpack contains The Lonely Island’s Turtleneck & Chain CD, a limited edition t-shirt and a DVD of your favorite shorts including “I Just Had Sex,” “Motherlover,” “The Creep,” “We’re Back!” and more. Track listing: CD: 1. We’re Back! 2. Mama 3. I Just Had Sex (feat. Akon) 4. Jack Sparrow (feat. Michael Bolton) 5. Attracted To Us (feat. Beck) 6. Rocky 7. My Mic – Interlude 8. Turtleneck… |
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Closer To You $9.99 Track Listing: 1. Closer To You 04:41 |
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My Word Is Bond! $8.99 … |
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Prisoner of Love [VHS] $0.89 Supermodel Naomi Campbell sizzles in this suspense-charged erotic thriller that delves into the dark world of obsession, sectuction and crime. When a small time hood (Eric Thal) makes a hit, beautiful Tracy (Naomi Campbell) becomes his unwitting witness… and the object of his desire! His boss orders her dead, but he realizes the only chance to save her life is to abduct her and go into hiding…. |
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Prisoner of Love [VHS] $69.98 … |
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Hydra (Unrated) $2.54 A quartet of wealthy men eager to hunt “the most dangerous game” travels to a remote island to target the prisoners who will be off-loaded there and sent into the wilderness to evade death at the hands of the rich, sadistic hunting hobbyists. On the island, however, a multi-headed snake monster awaits them all. Who’s going to be hunting whom? Sci-Fi Channel shocker stars Dwayne Adway, Texas Battle… |
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Beef $5.99 … |
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Beef $3.99 … |
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Ultimate Ears Loud Enough Volume Limiting Earphones for Children (Blueberry) $14.99 The Ultimate Ears Loud Enough earphone offers full, detailed sound in a small and lightweight form factor. It was developed especially for children ages 8+ who listen to their earphones while in the car, playing video games, watching movies, walking to school or just hanging out with their friends. The key feature of Loud Enough earphones is built-in sound pressure protection that reduces any musi… |
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Vtech – KidiJamz Studio $59.99 Kids can rock to their own beat with Kidijamz! KidiJamz is an interactive music station that lets kids record their own songs and music and play it back on a detachable music player. These toys make music mixing a snap with 20-kid friendly tunes. To find their own beat, kids can choose from 10 different musical instrument sounds, five musical stylings, and three rhythm buttons. KidiJamz toys will … |
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10 pcs Studio 6′ FOOT XLR FEMALE TO MALE Professional Microphone CABLE $31.09 This 6-foot,male to XLR female speaker/mic cable was designed with the professional in mind. Our cables deliver premium performance without noise, static, or buzzing. Mic cables are durable flexible with PVC jacket and come with a one-year warranty. |
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2 pcs Studio 6′ FOOT XLR FEMALE TO MALE Professional Microphone CABLE $4.59 This 6-foot,male to XLR female speaker/mic cable was designed with the professional in mind. Our cables deliver premium performance without noise, static, or buzzing. Mic cables are durable flexible with PVC jacket and come with a one-year warranty. |
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3 pcs Studio 6′ FOOT XLR FEMALE TO MALE Professional Microphone CABLE $9.09 This 6-foot,male to XLR female speaker/mic cable was designed with the professional in mind. Our cables deliver premium performance without noise, static, or buzzing. Mic cables are durable flexible with PVC jacket and come with a one-year warranty. |
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3.5mm Mini Studio Speech Mic Microphone w Stand for PC $8.95 This portable mini microphone is great for internet voice chat, multi player internet gaming, video conferencing, language & other training, speech recognition & dictation. Dynamic lightweight microphone. Get yours today and save. |
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4 pcs Studio 6′ FOOT XLR FEMALE TO MALE Professional Microphone CABLE $14.09 This 6-foot,male to XLR female speaker/mic cable was designed with the professional in mind. Our cables deliver premium performance without noise, static, or buzzing. Mic cables are durable flexible with PVC jacket and come with a one-year warranty. |
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5 pcs Studio 6′ FOOT XLR FEMALE TO MALE Professional Microphone CABLE $18.99 This 6-foot,male to XLR female speaker/mic cable was designed with the professional in mind. Our cables deliver premium performance without noise, static, or buzzing. Mic cables are durable flexible with PVC jacket and come with a one-year warranty. |
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6 pcs Studio 6′ FOOT XLR FEMALE TO MALE Professional Microphone CABLE $23.09 This 6-foot,male to XLR female speaker/mic cable was designed with the professional in mind. Our cables deliver premium performance without noise, static, or buzzing. Mic cables are durable flexible with PVC jacket and come with a one-year warranty. |
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7 pcs Studio 6′ FOOT XLR FEMALE TO MALE Professional Microphone CABLE $24.99 This 6-foot,male to XLR female speaker/mic cable was designed with the professional in mind. Our cables deliver premium performance without noise, static, or buzzing. Mic cables are durable flexible with PVC jacket and come with a one-year warranty. |
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8 pcs Studio 6′ FOOT XLR FEMALE TO MALE Professional Microphone CABLE $27.09 This 6-foot,male to XLR female speaker/mic cable was designed with the professional in mind. Our cables deliver premium performance without noise, static, or buzzing. Mic cables are durable flexible with PVC jacket and come with a one-year warranty. |
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9 pcs Studio 6′ FOOT XLR FEMALE TO MALE Professional Microphone CABLE $29.09 This 6-foot,male to XLR female speaker/mic cable was designed with the professional in mind. Our cables deliver premium performance without noise, static, or buzzing. Mic cables are durable flexible with PVC jacket and come with a one-year warranty. |
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AIAIAI TMA-1 DJ Headphones w/mic and volume control $219 Pro quality performance with a modern appeal. Proven on stage and in the studio by the worlds most demanding DJs, the TMA-1 has been made in collaboration with 25 professional and renowned DJs (James Murphy, A- Trak, Seth Troxler, Madlib, amongst others). Tested in studios and on tours all over the world this is a specialized piece of equipment for the hard working musician and audiophiles alike. |
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AKG C 3000 Recording Microphone $239 Since its introduction in 1993 our C 3000 has become a standard for a wide range of both studio and onstage applications. The new redesigned C 3000 is a cost-effective and aesthetically pleasing product update which maintains the popular characteristics of the C 3000, however a new sleek and classy finish showcases AKG?s new Corporate Design. It is a great selection for both recording and live sound applications, where maximum sound quality and robustness are a must, and the competitive price makes the C 3000 a must-have. The new C 3000 features a cardioid pickup pattern, a 20Hz to 20kHz frequency response, low noise electronics, high SPL capability and an internal shock mount, which drastically reduces handling noise from mic stands or cables. The switchable 10dB preattenuation pad increases the SPL capability by 10 dB and accommodates loud instruments like brass instruments or guitar amplifiers with ease. The switchable first-order 500Hz low frequency filter eliminates the proximity effect for close-miking. The standard accessories are a metal carrying case and a spider-type shock mount. Proven for more than 15 years and affordably priced, the C 3000 is an excellent choice for every high quality recording or demanding live sound application. |
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AKG C214 LG DIAPH STUDIO/STAGE COND MIC $399 The new C214 is designed as a cost-effective alternative to the high-end, industry-leading C 414 family. It captures sound combining one side of the legendary C 414 dual-capsule system and AKG’s patented Back-Plate Technology. The result? Highly-detailed, up-front sound on both voices and instruments with an overall performance close to that of the famous C 414 B-XLS. Now you can get that epic AKG sound on any budget with the new C214! Like the C 414 models, the C214 is capable of handling the rigors of high-pressure sound such as amplified guitars, with a sensitivity perfect for voice and orchestral instruments as well. Additionally, the microphone offers a 20 dB Attenuation pad, 13 dB noise floor, and a low cut switch — all in an elegant but rugged package. Besides, the C214 will also work on low phantom power voltages from 12 up to 48 volts. Additional features include an integrated suspension, a double mesh grill high RF immunity without affecting acoustics. The circuitry in the C214 provides maximum SPL capability with minimum noise and the gold-plated XLR-type output connector offers loss-free signals. The C214 comes complete with carrying case, windscreen, and spider suspension mount included. |
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AKG In-Ear Headphones with In-Line Mic and Volume Control (Sunburst Red) $49.98 The attributes that audio professionals demand of studio headphones – high-output sound and excellent frequency response – are now available in ultra-light, ultra-portable headphones that also let you make or answer phone calls without missing a beat. With a closed-back, in-ear design that naturally blocks out ambient noise, a choice of silicon ear sleeves to ensure a comfortable fit, and three trendy colors to choose from, the AKG K 328SBRs make a great upgrade to any portable device. You don’t have to sacrifice comfort or portability to experience the kind of performance professionals have expected from AKG products for over 60 years. The K 328SBRs let you take it with you anywhere. |
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ARC System (Advanced Room Correction System) $299.99 ARC (Advanced Room Correction) System is the first acoustic room correction system in a DAW plug-in for MAC/PC. It consists of a professionally calibrated measurement microphone, measurement software, and a multi-platform plug-in, designed to correct acoustical problems in any mixing environment. ARC features Audyssey MultEQ technology, which measures sound information througout the listening area in various zones of the room, then combines the information to provide an accurate representation of the room’s acoustical problems. The plug-in then corrects for both time and frequency response problems more effectively and efficiently than any other room correction EQ on the market. Features: revolutionary Audyssey MultEQ technology to improve clarity, stereo imaging and frequency response sonically ”treat” your room so you can finally trust the sound of your studio easy to set-up and use may be used in multiple environments and on the road. Includes: calibrated measurement mic measurement software multi-platform correction plug-in. |
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ART Phantom I Studio Mic Power Supply $50 The ART Phantom I is a 48V Phantom power supply for studio microphones. The Phantom I has a wide frequency response and features a female XLR input and a male XLR output. 18V DC power adaptor included.Different condenser microphones specify different amounts of required phantom power. As a rule these ratings can range from 48 volts all the way down to 9 volts. Fortunately, there is some flexibility in terms of matching phantom voltage to your mic. A rough rule of thumb would be more is better. For example, a 24-volt condenser mic will run perfectly on 48 volts. In fact, mics rated at as little as 9 volts can often operate on 48 volts, but you should check with the manufacturer first. Conversely, a mic will generally perform best driven by not less than its rated voltage so, for a 48V mic, you would obtain best results with 48 volts of phantom power. The Phantom I is a great choice for the above needs.Input Connectors: XLR femaleOutput Connectors: XLR maleFrequency Response: 10Hz 25kHzOutput Phantom Power: 48V DC +/- 2VOutput Noise: -115 dBVCurrent Drain: 14mAPower: 18V DC (Adapter included)Dimensions: 5.25 x 2.75 x 1.75 inches (130mm x 74mm x 45mm)Weight: 1.3 lbs. (315g) |
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ART ProMPA II – 2-Channel Tube Mic Preamp $274.95 The new ART ProMPA II is the next generation in affordable high performance microphone preamp technology. Each microphone input circuit, with selectable 48v phantom power, features variable input impedance which can radically vary the overall performance of any high quality dynamic or ribbon microphone. The ProMPA II can be configured for dual mono or stereo operation with selectable mid/side mic support, summing the adjacent channel, to decode left/right signals.The ProMPA II can operate at either a low or high plate voltage on the two integrated hand-selected 12AX7 tubes for wider variation of preamp tone and performance. Large back-lit analog VU output meters display input or output levels while multi-colored LED arrays, with average or peak hold, show tube gain.Housed in a standard 2 rack unit space rack-mountable steel chassis, with CNC routed black anodized aluminum face panel, the ProMPA II is designed to deliver years of reliable operation in the studio, production facility, or on the road for live sound reinforcement.Variable Input Impedance For Flexible Microphone Voicing (150 Ohms To 2400 Ohms)Selectable Plate VoltageLarge VU MetersBacklit Function SwitchesDiscrete Class-A Input Microphone PreamplifierLow Noise at Lower Gain SettingsExtremely Low Total Harmonic Distortion (THD)Wide Frequency ResponseAdditional Front Mounted Instrument Input JackSupports Mid/Side Miking TechniqueOperates at +4dbm/-10dbv OutputSelectable Stereo/Dual Operation of Output ControlsAutomatic Instrument Input Selection |
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ART Tube MP Professional Mic Preamp/Processor $48 The Tube MP is the world s most popular external tube microphone preamp. Whether you re working with a digital, computer or analog recording system, the Tube MP s TEC award nominated design will allow you to obtain professional recording studio results at a fraction of the cost of comparable equipment. The hybrid design of the Tube MP allows it to add warmth and fatness to a signal while maintaining exceptionally low-noise and high quality. While its primary application is to be used with a microphone, the Tube MP is an exceptional direct box – impedance matching, amplifying and improving the sound of any instrument plugged into it. |
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ART Tube MP Studio Mic Preamp $29.99 The original Tube MP made pro-caliber tube preamping available to ordinary musicians and home studios. The MP Studio goes a step further by adding a VU meter for better level control and ART’s OPL (Output Protection Limiter), which controls and maintains the output peak signal to protect hard-disk recording systems and soundcards. The VU meter reflects the impact of the OPL circuitry when it is activated, which allows more effective fine tuning of the audio signal. It is a valuable tool for recording in project and home studios and can also function as a DI box with impedance matching and preamplification for line-level sources. Includes a 3-year warranty.Provides Superior Preamplification for: Microphones, Instruments and Line Level SourcesAnalog VU MeterOPL Output Protection LimiterHand-Selected 12AX7A Vacuum TubeVariable Input and Output Gain ControlsProvides over 70 dB of Gain+48 Phantom Power SwitchPhase Reversal SwitchXLR and 1/4 Inputs and OutputsPortable, All-Steel ConstructionExcellent as Tube DIBuilt-in Brickwall Limiting20dB gain switch |
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ART Tube MP Studio V3 Tube Mic Preamp with Variable Valve Voicing and Analog Meter $69.95 The Tube MP Studio V3 single channel mic pre features ART’s new V3 (Variable Valve Voicing) Technology — found only in ART microphone preamplification systems. V3 provides optimized reference points to begin the recording process. The V3 presets were created and fine-tuned by some of the industry’s top studio and live-sound engineers, along with our veteran engineering department. V3 allows you to select between a multitude of preamp settings designed for guitars (electric and acoustic), keyboards, bass guitars, drums, vocals and more. V3 gives you incredible presets for every instrument you record, so all your recordings will sound professional. Need to tweak the presets? Go right ahead — hone your perfect tone! |
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AV-JEFE PHM449 Vocal / Instrument Dual Power Studio Quality Microphone $69.99 AV-JEFE PHM449 is a professional class microphone with versatile features that are ideally suited to a wide of vocal and sound reinforcement applications. Designed with dual power options that maximizes its sound output and helps deliver exceptional consistency across all frequencies. Battery power is good if you are not wired for phantom power supply. Wide rage, smooth frequency response, and extremely low-noise, clean crisp sound reproduction make it a valuable toll both for recording or live performance use. This mic provides pure simplicity and brings out the best of your performance. |
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Ac-cetera Mic-Eze M-1 $14.69 The primary application is drum microphone placement. Drummers find Mic-Eze useful because it enables them to mic any part of their drum set by simply clamping this secure device to any rim, pole, or stand and use any microphone they choose. Use is not limited to drums,however. There are many situations in the studio and on stage where the Mic-Eze is helpful.Strong spring action clamp Extra wide opening clamp jaw Protective clamp pads Lock-on design Black finish Very light weight Strong and compact |
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Alesis iO4 Four-Channel 24-Bit Recording Interface $199 Features – : Four-channel computer audio-recording interface : Record up to 24-bit, 48 kHz audio into virtually any software : Monitor sessions with balanced studio monitor and headphone outputs : High-quality A/D and D/A converters, discrete-design preamps, 48V phantom power : Inputs for microphones, line-level sources, and instruments including guitars : Tricolor stereo level meter and lighted status indicators for visual monitoring : MIDI Input and Output jacks for playing and controlling software with instruments : Includes – : iO4 interface : USB cable : AC Adaptor : Software CD : Specifications – : Inputs – 4x XLR and 1/4, mic/line/guitar level, switchable phantom power, discrete-design preamplifiers : Outputs – 2x 1/4 Main, 1/4 TRS Headphone : USB – 4 In, 4 Out (max) : Resolution – 24-bit, 48 kHz (max) : Metering – Tricolor stereo LED tree : Control – MIDI In, MIDI Out, USB |
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Allen & Heath ZED-14 USB Mixing Console $399 The Allen & Heath ZED-14 USB Mixing Console has incredibly advanced features for a mixer at this level—it has 13 independent sources to the mix, 10 independent outputs, 4 aux sends, a USB send & return for PC or Mac recording, playback and effects, a unique dual stereo input capability and some very advanced monitoring facilities. In fact, ZED-14 is so packed full of great features that you’d think it would cost much, much more.The ZED-14 is a mixer for anyone, from entry-level to professionals, who appreciates fantastic uncolored sound, lots of headroom, a truly professional feel, and rugged build quality. It can be used for many different tasks, whether in live performance, utilizing plug-in effects via USB, live recording via USB and Cakewalk, studio recording or mixing down to produce your own 2-track recordings. Inputs One of the great things about the ZED series is the number and variety of things you can plug in. In addition to the six mono channels there are four stereo channels, each with a main stereo input on jack sockets, and with the ability to take additional stereo inputs from phono sockets or from the USB audio input, flexibility gives you control. In all, ZED-14 boasts 99 different controls on its front panel—way more than any of the competition! 6 mic/line channels are provided on ZED-14 – plenty for mics or DI boxes for a small band, duo or solo performer 4 stereo line inputs—dual inputs, both with gain and 2-band EQDuoPre Based on the proven pre-amps from the hugely successful PA series, the ZED series has new DuoPreTM pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge—69dB of range to be exact—and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply p |
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Allen & Heath ZED-R16 16-Channel FireWire Mixer $2449 The ZED-R16 is Allen & Heath’s first true recording FireWire mixer in over 10 years. This exceptional recording mixer with 18 FireWire I/O can also be used as a versatile live front-of-house mixer. The best performing preamp in Allen & Heath’s entire range is packaged with a high-quality analog-to-FireWire interface, extensive EQ, and a well-featured analog channel strip.Combining an analog recording mixer with a FireWire soundcard, MIDI controls, and ingenious home-studio routing, the ZED-R16 FireWire mixer allows you to build tracks in the studio, record live gigs, mix-down, remix—all through warm analog circuitry, 4-band fully parametric, classic British EQ, and out in crisp, precise, digital format.In the studioThe ZED-R16 16-channel mixing console combines an imaginative feature set with professional build qualities to create the ideal centerpiece for any project studio with big ideas, or larger studios with dedicated live rooms. Control room speaker, alternate speaker outputs, and two separate artist monitor feeds are provided. In addition to the digital interface, two analog recording outputs, and a dedicated internal condenser talkback mic are also available. Features such as the dual function audio/MIDI faders and built-in sequencer transport were dreamed up by engineers at Allen & Heath who have home studios themselves, so they’ve made sure they’ve built in features they really need.SoundcardThe internal soundcard features 18 FireWire inputs, 18 outputs, and 16 ADAT I/O. Each channel on the mixer has its own independent soundcard channel so instruments can be recorded simultaneously (pre- or post-EQ) and into the sequencer separately. To minimize clock jitter and provide synchronicity between the ZED-R16 mixer and other devices, it’s equipped with the professional JetPLL digital audio chipset.Mix-down and live In addition to multitrack recording, the ZED-R16 allows mixing down in analog, then recording back into the computer in digital. The bundled S |
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AmpliTube 3 $329.99 AmpliTube 3 is a massive upgrade of the leading guitar and bass tone gear modeling software raising the industry standard of sound variety, realism and creative power. If your recording or playing ”rig” is lacking in that rich, lush expressive analog warmth, then you need to check it out. AmpliTube 3 is the ultimate tone gear collection for the player/producer/engineer suffering from tone angst. AT3 contains over 160 pieces of gear, more than double the amount of other packages, including models from the most sought-after vintage collections and modern day workhorses. You’ll get 51 individual stompboxes and effects, 31 amplifier preamp & power sections, 46 speaker cabinet models, 15 high end stage and studio mics, and 17 post amp rack effects. With IK’s proprietary VRM (Volumetric Response Modeling) technology, you can add ultra-accurate rotating speaker effects, free dual mic placement plus room ambience and response to custom craft your tone. AmpliTube 3 gear models give you THE most realistic playing feel not just the tones but the actual dynamic response of their hardware counterparts. AmpliTube 3 is the new king of zone. |
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AtlasSound SB-11WE Studio Boom Mic Stand with Air Suspension System – Steel – Ebony $251.5 Economical studio boom is especially suited for small studio/broadcast applications and for stage miking of drums and percussion instruments. Unit features a 60 long, two-piece horizontal boom assembly constructed of steel tubing. Tubing also incorporates a 90 angled end for optimum microphone positioning and terminates in the standard 5?8 – 27 thread to accept all microphones, holders, and adapters. Vertical tube assembly is 11?8 and 7?8 dia. cold rolled steel with an adjustable height span of 43 to 68 . Tubing features the wearproof Atlas Sound grip-action clutch for positive locking control. Triangular die-cast base with edge-concentrated weight distribution offers extra stability and is equipped with three, hard rubber swivel casters for effortless and silent mobility. |
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Audio-Technica M4000S Handheld Dynamic Microphone $49.98 The handheld Audio-Technica M4000S dynamic microphone combines professional features with a ridiculously affordable price tag. Audio-Technica tailors the M4000S mic’s frequency response for crystal-clear vocal reproduction. Great feedback rejection and focused pickup are due to the A-T microphone’s unidirectional polar pattern. The M4000S Audio-Technica mic also is equipped with a handy On/Off switch for convenience. Audio-Technica professional microphone enhancements include a balanced XLR output, and a mic clip. Whether you’re on the road, in the studio, or just performing at local gigs. Expect the all-metal Audio-Technica M4000S microphone to provide you with years of trouble-free use.Frequency response tailored for crystal-clear vocal reproductionUnidirectional pattern for feedback rejection and focused pick upAll-metal design for years of trouble-free useConvenient on/off switchProfessional features include balanced XLR output and mic clip |
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Audix DP7 Dp Series Drum Pack $899 This set of Audix DP7 Drum Microphones gives you high-precision instrument mics that fill the needs of artists and engineers in both studio and live applications. Each Audix D series microphone consists of a VLM (very low mass) capsule housed in a precision-machined lightweight aluminum body. The Audix i5 is the ultimate snare microphone, designed for accuracy and durability. The improved D-vice gooseneck allows for quick and easy set up and perfect mic placement. Thanks to Audix you don’t need to compromise the sound of your drums. This DP series mic package will reproduce the sound of your drums exactly as you want your audience to hear them.Details1 x i5 snare mic: works for snare (top or bottom), toms, hand percussion, guitar cabs, acoustic instruments. Features a protective steel grill, is easy to set up and use, with a clean accurate sound. Dynamic VLM Type B transducer (transformerless). 46Hz 18kHz frequency response. Cardioid polar pattern, 150 Ohm output, 1.9 mV open circuit sensitivity. No power requirements, maximum SPL of 140 dB, off-axis rejection of >23dB. Cast Zinc Alloy housing with Black E coat. 6.5oz./183 grams.2 x D2 tom mic: works for rack toms, floor tom, congas. Features a slight mid-bass boost, excellent transient response, and big sound. Dynamic VLM Type B transducer (transformerless). 44Hz 18kHz frequency response. Hypercardioid polar pattern, 250 output, 2.5 mV open circuit sensitivity. No power requirements, maximum SPL of 144dB, off-axis rejection of >30dB. Machined aluminum housing with black hard coat. 4.5oz./128 grams.1 x D4 kick / floor tom mic: works for floor tom, djembe. Features extended low end for larger drums, accurate frequency response, natural sound. Dynamic VLM Type D transducer (transformerless). 38Hz 19kHz frequency response. Hypercardioid polar pattern, 200 output, 2.1 mV open circuit sensitivity. No power requirements, maximum SPL of 144dB, off-axis rejection of >30dB. Machined alum |
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Audix F2 Drum Microphone $79.99 The Fusion Series AUDIX f2 dynamic instrument microphone is designed, assembled, and tested by Audix in the USA for stage and studio applications. The Audix f2 mic has a hypercardioid pickup pattern for isolation and feedback contro. Audix equips the f2 mic with a LM (Low Mass) diaphragm for natural, accurate sound reproduction.The Audix f2 microphone is lightweight, compact, and easy to position. With a wide frequency response of 52Hz-15kHz and the ability to handle sound pressure levels of 139dB, the Audix f2 is an excellent choice for preserving the attack of instruments like rack toms, congas, saxophone, guitar cabinets, and brass.Roadworthy Audix construction includes a precision-cast zinc-alloy body, black finish, laser etched model number, steel mesh grill, gold XLR connector, and a tension-fit heavy-duty-nylon mic clip.The Audix f2 microphone’s ransformerless design, low impedance, and balanced output result in interference-free performance even with long cable runs.Applications: Live StageStudioRack tomsFloor tomsCongasDjembeGuitar and bass cabsBrass3-year warranty |
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Audix F5 Instrument Microphone $79.99 The all-purpose Audix f5 Fusion Series dynamic instrument microphone is designed to mic a wide variety of musical instruments, including snare, toms, percussion, guitar and bass cabinets, brass, flute, and woodwinds, as well as vocals and speech. Assembled and tested by Audix in the USA, the f5 is an ideal mic for both stage and studio applications. With a wide frequency response of 55Hz-15kHz, the versatile Audix f5 mic provides clear, accurate, natural sound reproduction without having to rely on EQ. The f5 mic handles sound pressure levels in excess of 137dB without distortion, which lets you mic anything from guitar and bass cabinets to heavy brass with supreme confidence. Sturdy, compact, and easy to position, the f5′s roadworthy construction includes a precision-cast zinc-alloy body, black finish, laser etched model number, steel mesh grill, gold XLR connector, and a tension-fit heavy-duty-nylon mic clip.Using in Audix f5:The f5 has a tight (hypercardioid) pick-up pattern in order to help eliminate sound from other instruments on stage from bleeding into the microphone. For this reason, it the f5 is exceptionally effective for drums and percussion in be able to capture the sound of each component of the kit. Snare:Start with the f5 about 2 inches above the head and aimed towards the center of the drum. For more rim effect, the f5 can be aimed less towards the center and more towards the rim. It is not uncommon for engineers to place the mic practically right on the drumhead to achieve a very tight, cracking sensation. Toms, congas:Similar to snare. For tighter sound and more attack place, the mic closer to the head. For more decay and overtones pull the mic further away from the head. Guitar cabs: The f5 can be placed within 1-2 inches of the grill cover at a 90 angle pointing directly into the speaker. If the mic is placed closer to the edge of the speaker, you will minimize the higher frequencies and get a warmer, fatter tone. To capture more highs, |
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Audix F50 Fusion Series Vocal Mic $34.99 The Audix F50 Dynamic Vocal Microphone is designed for a wide variety of live and studio applications. The Audix F50 mic is known for its warm, natural sound reproduction, resistance to feedback, and ability to handle high sound pressure levels without distortion.The Audix F50 has a tight and uniformly controlled cardioid polar pattern which helps to isolate vocals from the rest of the instruments on stage. The F50 microphone has a wide frequency range of 50Hz 16kHz.The Audix F50 microphone is designed to sound clear and full-bodied in any application. The F50 is well-balanced, comfortable to hold microphone, durable, and manufactured with very high standards and tight tolerances. The Audix F50 Dynamic Vocal Microphone’s roadworthy construction includes a precision cast zinc alloy, black e-coat finish, steel mesh grill, gold plated XLR connector, and heavy duty ABS clip.Warm, clear, full soundRoadworthy constructionGreat for vocals, drums, guitar cabinets, acoustic instruments, and home recording |
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Audix Fusion Drum Pack Percussion Microphones – FP5 $329 The Fusion Series microphones, which are designed, assembled and tested by Audix in the USA, fulfill all the performance criteria required for professional stage and studio applications. These prepackaged sets of microphones offer convenience, quality, durability, and affordability. All mics come with high impact mic stand adapters high and packed in a heavy duty foam lined aluminum carrying case for safe keeping when the products are not in use. The f5 is characterized with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a LMTM Type A (Low Mass) diaphragm for natural, accurate sound reproduction. The f2 is characterized with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a LMTM Type A (Low Mass) diaphragm for natural, accurate sound reproduction. The f6, which is characterized with a hypercardioid pickup pattern for isolation and feedback control, is equipped with a LMTM Type A (Low Mass) diaphragm for natural, accurate sound reproduction. |
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Audix Fusion Series 7 Drum Mic Pack – FP7 $479 The Fusion Series microphones, which are designed, assembled and tested by Audix in the USA, fulfill all the performance criteria required for professional stage and studio applications. These prepackaged sets of microphones offer convenience, quality, durability, and affordability. Includes- 1x-f5 dynamic, 2x-f2 dynamics, 1x-f6 dynamic, 3DClips, 1x MC1 clip, 1x Aluminum carrying case with foam inserts. |
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Audix I-5 Multi-Purpose Dynamic Microphone Silver 25th Anniversary Edition – I5-SILVER $129 Audix Corporation, founded in Redwood City, California, is celebrating its 25th year with a Silver Anniversary Edition of the i5. This will include a limited edition of the first 500 microphones, which will be sequentially numbered and include a signed letter of authenticity. The anniversary edition will include a special laser etched 25 year logo on the body. Designed, assembled and tested by Audix in the USA, the i5 is a dynamic instrument microphone used for stage, studio and broadcast applications. The i5 is able to handle sound pressure levels in excess of 140 dB without distortion and can be used to mic a wide variety of musical instruments, guitar and bass cabinets, vocals and speech. The i5 is characterized with a cardioid pickup pattern for isolation and feedback control and is equipped with a VLMTM (Very Low Mass) diaphragm for natural, accurate sound reproduction. |
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Audix OM3 Concert Dynamic Vocal Microphone $129 The Audix OM3 Hypercardioid Vocal Mic is designed, assembled, and tested by Audix in the USA. The OM3 is a dynamic vocal microphone used for a wide variety of live, studio, and broadcast applications. The Audix OM3 mic is known for its clear and accurate sound reproduction, resistance to feedback, and ability to handle very high sound pressure levels without distortion.The Audix OM3 displays a tight and uniformly controlled hypercardioid polar pattern which helps isolate vocals from the rest of the instruments on stage. With a wide frequency range of 50Hz 18kHz, the OM3 microphone has a VLM (Very Low Mass) diaphragm for clean and natural sound with exceptional transient response.The Audix OM3 microphone is naturally attenuated in the lower mid-bass frequencies to reduce boominess and handling noise. This, in conjunction with an extremely articulate mid-range, makes the OM3 an excellent microphone for PA systems of all sizes. The durable Audix OM3 is a well-balanced, comfortable to hold mic manufactured with high standards and tight tolerances.The Audix OM3 microphone’s roadworthy construction includes a precision die-cast zinc alloy body, black e-coat finish, laser-etched model and serial number, steel mesh grill, Switchcraft XLR connector, and heavy-duty nylon clip.Applications:Live stage and recordingBroadcastSax, brass, guitar, dobro, flute, percussion, drumsHome studio |
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Auralex Audio Engineers Pack $69.99 The Auralex Audio Engineers Pack contains nine ISO Series products specially designed for acoustical engineers and audiophiles to boost the quality of sound in any recording or listening space. It includes a GRAMMA AE, 1 set of MoPADs, a pair of 6 Trap Xpanders, a pair of 8 Tri Xpanders, and 3 Platfeet.Gramma AEThe GRAMMA AE (Gig and Recording, Amp and Monitor, Modulation Attenuator) is an incredibly effective patented device that’s used to float an amp or loudspeaker. GRAMMA yields nearly total acoustic isolation, resulting in a purity of tone that has to be heard to be believed.MoPadThe specially designed Auralex MoPad Monitor Isolation Pads will instantly decouple your monitors from the room and greatly increase monitoring accuracy. No matter how good the rest of your studio gear, you won’t get accurate monitoring if the direct transfer of vibrations from your monitors to your furniture is coloring your sound. Includes 4 pads 12 long by 4 wide.Trap Xpanders and Tri&bullXpandersIn the art of audio sound capture, the recording engineer must contend with and balance many sonic issues (external noise bleed, structure-borne resonance, off-axis colorations) in order to arrive at sounds that are truly sonically robust.Auralex’s Trap Xpanders and Tri Xpanders give the recording engineer a high-degree of control by providing the capability to filter the undesirable external overtones that tend to push the engineer to over-process on the back-end during the mixing stage.They offer the recording engineer a means of tonal control and passive filtering before the sound ever hits the signal path and before ever reaching for a knob or booting-up a plug-in. Trap Xpanders are trapezoidal in shape while the Tri Xpanders are triangle shaped.Use the Trap Xpanders behind the drum mic to virtually eliminate off-axis colorations between your snare and high-hat. Use the Tri Xpanders to isolate your microphones during the recording process |
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Avid 003 Rack Factory Firewire Hard Disk Recording System with Pro Tools LE $699.99 Record the entire band in your home/project studio, garage, or even live! Digidesign 003 Rack+ Factory is ideal for musicians, recording engineers, and producers looking for a professional Pro Tools music recording and production solution that’s more affordable and portable. With best-in-class sound quality, eight premium mic preamps, and a wide variety of I/O to connect instruments, MIDI gear, and other analog and digital devices, 003 Rack + Factory works with your computer to provide the power and capacity to record an entire band.003 Rack + Factory comes with everything you need to compose, record, sequence, edit, mix, master, and promote your music. It includes award-winning Pro Tools software, the most popular and widely-used professional music production application in the world, along with a huge collection of studio-quality sound processing and effects plug-ins, virtual instruments, compatible applications, and sound libraries to get you started creating right away. Plus, the included Factory collection of professional plug-ins (worth over $3,000 just on its own) will help you enhance tracks and achieve impeccable, polished mixes quickly and easily. |
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BadAax Mic Set With Mic, Boom Stand, Clip & Cable $36 The BadAax DMK2 microphone set with mic, boom stand, clip and cable. What a SUPER DEAL! This is a high quality product at a very low price. The BadAax DMK58 professional supercardioid dynamic vocal microphone is made in the exact same factory as another famous 58 microphone. The DM58 is a unidirectional (cardioid) dynamic vocal microphone designed for professional vocal use in live performance or in studio recording. Frequency: 50Hz-15KHz. Sensitivity: -53dB+/-3dB(0dB=1V/Pa at 1KHz). Output Impedance: 600 Ohm(at 1KHz). Also comes with boom stand, mic clip, cable and a 2 year warranty. |
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BadAax UM600 Studio USB Cardioid Condenser Mic Kit $85 The BadAax UM600 Studio USB Cardioid Condenser Mic Kit. A studio quality, large diaphragm, cardioid condenser microphone with a built in USB interface, Music Factory Direct is proud to offer this high end, high quality microphone to our customers. With its wide band width, high audio resolution of 24-bit/96Kkhz, frequency response of 20-18,000Hz, SPL: 136dB Max and with a speed of transfer of information at 480 Mbps, the BadAax UM600 Studio USB Cardioid Condenser Microphone is a must have for anyone using a computer for multitrack recording, or podcasting. This kit comes complete with shockmount, mic clip, windscreen, USB cable and table top mic stand that adjusts from 4 to 7. |
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Beef (UMD for PSP) $24.99 The definitive look into the deep and harsh world of high profile beefs told by the artists themselves. The mc battle… Hip hop’s war of words… Who’s the illest on the mic… What happens when the raw energy of the inner city spills over from the studio to the streets. Today the stakes are high, and the consequences are becoming more and more real. What effect will this have on the future of hip hop? Judge for yourself! Featuring 50 Cent, Jay-Z, Nas, DMX, Snoop Dog, Tupac, Dr. Dre, Ice Cube, Ja Rule, Mack 10, Common, Cypress Hill, Russell Simmons, NWA, and legendary battlers KRS-One, MC Chan, Kool Moe Dee, Busy Bee and more! Narrated by Emmy Award-winner Ving Rhames (Pulp Fiction, Baby Boy, Don King: Only in America) And featuring Uncut Nate Dogg Golf Club Incident; A Night at MIC Club; MC Battles from Atlanta’s Apache Caf ; MC Supernatural Freestyles on Beef; Damon Dash vs. the Fresh Pimps. What is UMDTM? UMD, Universal Media Disc, is a brand-new and groundbreaking optical storage medium, designed for the high speed and efficient delivery of digital entertainment content that can store up to 1.8 GB of digital data on a 60mm disc — or an entire feature film on a single UMD video. All UMD DVDs are produced in Widescreen and encoded using advanced AVC compression. UMD for PSP will play on the new PlayStation Portable handheld entertainment system. Specifications Diameter: 60 mm Maximum Capacity: 1.8GB (Single-sided, dual layer) Laser wavelength: 660nm (Red laser) |
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Behringer ADA8000 Ultragain Pro-8 Digital Recorder $172.5 High-End 8-Channel A/D & D/A Converter with Premium Mic Preamplifiers and ADAT Interface. Ultra-high quality 8-channel A/D and D/A converter for virtually any digital recording/mixing environment. 8 state-of-the-art, studio-grade IMP mic preamps with phantom power on all microphone inputs! The perfect expansion for Behringers digital mixing console the DDX3216. High-end 24-bit A/D and D/A converters for ultimate signal integrity that processes at 44.1 and 48 kHz sample rates. External sample rate synchronization via wordclock or ADAT input. Optical ADAT in/out interface for ultimate compatibility and an ADAT input that can be routed to all line outputs. All Mic/Line inputs are routed to the ADAT output. Master/Locked (Sync) LED display easily visible on the front panel. |
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Behringer C-1 Studio Condenser Microphone $43.99 Behringer C-1 Studio Condenser Mic |
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Behringer EURODESK SX3242FX Audio Mixer $652.99 If you want classic analog handling but can’t skimp on superior digital effects and studio-grade mic preamps, the SX3242FX is your new best friend. This mixer’s 24 microphone inputs, 8 stereo inputs and 4 buses give you enough leeway to handle anything from a graduation speech to a 5-piece band to a whole church service with praise band and choir. |
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Behringer EUROLIVE B205D Active PA/Monitor Speaker Black $196.99 * Multi-purpose, 150-Watt, active speaker for vocal and keyboard monitoring, multi-media, press conferences and home recording studio, etc. * Revolutionary Class-D amplifier technology – enormous power, incredible sonic performance and super-light weight * 5.25 premium-quality, full-range neodymium driver * Ultra-low noise 3-channel mixer with 3-band EQ * 2 Invisible Mic Preamps with phantom power for condenser microphones and 1 instrument-ready input (no DI required) * Dedicated stereo input for keyboards, MP3, CD, etc. * XLR ”through” connector with mic/line switch for linking more B205Ds * Mic stand integration system for use with stand and boom * Integrated limiter for ultimate system control and speaker protection * Internal switch-mode power supply for noise-free audio, superior transient response and very low power consumption * Super-tough, impact-resistant enclosure with integrated top carry handle * High-quality components and exceptionally rugged construction ensure long life * Conceived and designed by BEHRINGER Germany |
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Behringer EUROPOWER PMP6000 20-Channel Powered Mixer $598.99 The Behringer EUROPOWER PMP6000 Powered Mixer (2 x 800W stereo, 1600W bridged mode) produces even more power than previous mixers while maintaining famously low weight and high efficiency. The Behringer EUROPOWER PMP6000 mixer employs Class-D technology including a switch-mode power supply, significantly reducing weight and heat. The 20-Channel Behringer PMP6000 features 12 built-in XENYX mic preamps, 2 studio-grade 24-bit FX processors with 100 presets, and FBQ Feedback Detection.What is Class-D Technology?Instead of operating relatively continuously like Class AB circuits, Class-D amps switch on and off thousands of times per second, delivering power only when needed. In other words, the amplifier is either fully on or fully off, which significantly reduces power losses from the output devices given off as heat. Less heat means the amps don’t need massive heat sinks, and that makes them lighter. This no-compromise design means the EUROPOWER PMP6000 mixer will deliver full power with incredible fidelity all night long, without the need for lengthy rest cycles.When used in conjunction with switching-mode power supplies, which don’t require huge and heavy transformers, Behringer’s Class-D amplifiers provide tremendous dynamic punch and superior fidelity. The resulting speaker systems are much lighter, making them easy to transport and set up.Massive Mono or Stunning StereoEUROPOWER PMP6000 gives you the choice of 2 x 800-watt stereo, 2 x 800-watt dual mono mode (giving you a mono version of the main signal through one powered output plus a mono version of all monitor send signals through the second powered input) or 1,600-watt bridged mono sound. Whether the center of attention happens to be a folk trio, a speech, or a synth-rock band with mind-boggling stereo patches, the EUROPOWER PMP6000 mixers can accommodate. This sonic versatility also makes it an excellent choice for churches, where vocals and stereo recordings often share face time.Classic Control, State-of-t |
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Behringer EUROPOWER PMP960M Powered Mixer $281 If you need superior sound quality for small club gigs, churches or speeches, but have to keep the outboard gear to a minimum, get ready to love the 900-Watt 6-channel Behringer PMP960M mixer. Classic control, state-of-the-art soundEach of the mic inputs on the PMP960M contains top-quality built-in mic preamps with switchable +48V phantom power for condenser mics just like in our studio mixers. Suddenly you can leave the mic preamps at home, and the kind of sound quality that was once only available in the studio is ready to go wherever you do. Plus with dual 24-bit FX processors built right in, you get 100 mind-blowing digital effect presets such as delay, chorus and reverb that you can apply two-at-a-time to any channel you like, as well as to the monitors and main output. No outboard gear needed!This mixer come loaded with BEHRINGER’s amazing FBQ feedback detection system, which automatically pinpoints trouble frequencies so you can snuff them out before you or the audience go deaf. Just touch a button and watch as trouble frequencies are indicated by red LEDs on the 7-band graphic EQ.The Ins and OutsThe PMP960M lets you accommodating whatever the center of attention happens to be. In the bottom right corner of the mixer, you’ll find the FX, INPUT TO MAIN and OUTPUT sections. The FX section features a FOOTSW(itch) input. This lets you connect a footswitch like the AB200 so you can remotely enable/disable either FX channel. FX OUT 1 & 2 are used to connect up to two outboard effects processors. The AUX IN 1/4 inputs in the INPUT TO MAIN section allow you to route an external stereo signal to the main mix.The AUX IN control adjusts the volume of the external signal in the main mix. Use the 2TR IN RCA inputs to feed in external stereo signals from CD players or tape decks. The VOICE CANCELLER switch allows you to eliminate the vocals from pre-recorded music for karaoke applications.In the OUTPUT section, the REC OUT RCA outputs send line-level sig |
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Behringer EUROPOWER PMP980S Powered Mixer $326 The Behringer EUROPOWER PMP980S mixer delivers superior sound quality for small club gigs, churches or speeches. While this 900W mixer keeps your outboard gear to a minimum, if offers 8-channels and 10-inputs. Classic control, state-of-the-art soundEach of the mic inputs on the Behringer PMP980S mixer contains top-quality built-in mic preamps with switchable +48V phantom power for condenser mics just like in our studio mixers. Suddenly you can leave the mic preamps at home, and the kind of sound quality that was once only available in the studio is ready to go wherever you do. Plus with dual 24-bit FX processors built right in, you get 100 mind-blowing digital effect presets such as delay, chorus and reverb that you can apply two-at-a-time to any channel you like, as well as to the monitors and main output. No outboard gear needed!This mixer comes loaded with Behringer’s amazing FBQ feedback detection system, which automatically pinpoints trouble frequencies so you can snuff them out before you or the audience go deaf. Just touch a button and watch as trouble frequencies are indicated by red LEDs on the 7-band graphic EQ.The Ins and OutsThe Behringer PMP980S gives you loads of flexibility in accommodating whatever the center of attention happens to be. Channels 1-6 are for mics, bass guitars or other mono instruments. Channels 7-8 and 9-10 can be used as stereo channels. You can connect up to 8 microphones or other mono instruments or six mics or mono instruments along with two stereo instruments (keyboards, for example) or the A/V equivalent.In the bottom right corner of the Behringer PMP980S mixer, you’ll find the FX, INPUT TO MAIN and OUTPUT sections. The FX section features a FOOTSW(itch) input. This lets you connect a footswitch like the AB200 so you can remotely enable/disable either FX channel. FX OUT 1 & 2 are used to connect up to two outboard effects processors. The AUX IN 1/4 inputs in the INPUT TO MAIN section allow you to route an ext |
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Behringer EURORACK PRO RX1202FX Low-Noise Design 12-Input Mic/Line Rack Mixer $201.5 The versatile and multipurpose Behringer RX1202FX EURORACK Pro 12-channel rackmount mixer is designed as a submixer for your keyboard and drum setup, a hub for multitrack monitoring, or as a line mixer in fixed audio/video installations.This rack mixer boasts 8 renowned studio-grade IMP invisible mic preamps with ultralow noise and transparent audio quality. Other features on the Behringer EURORACK mixer include an outstanding 24-bit digital stereo FX processor with 100 awesome presets, switchable +48V phantom power for condenser microphones, and 2-band EQ with clip LED for each channel.Ultralow noise ULN design, highest possible headroom, ultratransparent audio8 new state-of-the-art, studio-grade IMP Invisible mic preamps with:130 dB dynamic range for 24-bit, 192kHz sampling rate inputsUltrawide 60dB gain rangeIntegrated 24-bit digital stereo FX processor with 100 presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects2-band EQ and clip LED on all channels4 balanced high-headroom line inputsState-of-the-art 4580 operational amplifiers provide lowest noise and distortion better than 4560 op amps2 aux sends per channel: 1 pre fader for monitoring applications, 1 post fader for internal FX or as external sendCD/tape inputs assignable to main mix or control room/phones outputsSeparate control room, phones and stereo CD/tape outputsBalanced main mix outputs with gold-plated XLR connectorsSwitchable +48V phantom power for condenser microphonesLong-wearing 60mm logarithmic-taper faders and sealed rotary controlsInternal switch-mode power supply for maximum flexibility (100 240V~), noise-free audio, and superior transient response with low power consumptionHigh-quality components and exceptionally rugged construction ensure long life |
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Behringer Eurodesk 16 Xenyx Mic Preamps 99 Digital Effect Presets 24-channel Analog Mixer – SX2442FX $422 * Premium ultra-low noise, high-headroom analog mixer * 16 state-of-the-art XENYX Mic Preamps * Neo-classic British 3-band EQs w/semi-parametric mid band * 4 bus outputs & additional Mono output w/sweepable Low Pass filter for subwoofer application * 2 independent studio-grade 24-bit stereo FX processors w/99 presets including reverb, chorus, flanger, delay, pitch shifter & various multi-effects * 9-band stereo graphic EQ allows precise frequency correction of monitor or main mixes * FBQ Feedback Detection system instantly reveals critical frequencies * Peak LEDs, Mute, Main mix & subgroup routing switches, Solo & PFL functions on all channels * Standby switch mutes all channels during breaks while background music is provided via CD/Tape inputs * 2 stereo input channels w/4-band EQ plus 2 additional stereo input channels w/Level & pre-fader Aux controls * Inserts on each mono channel & main mix for connection of outboard equipment * 4 Aux sends per channel – 2 pre/post fader switchable for monitoring/FX applications, 2 post fader (for internal FX or as external send) * Balanced Main mix outputs w/1/4 jack & gold-plated XLR connectors, separate Control room, Headphone & stereo Tape outputs * Solo-In-Place & Pre-Fader-Listen functions plus full-featured Talkback section * Long-wearing 60 mm logarithmic-taper faders & sealed rotary controls * Internal autorange power supply for maximum flexibility (100 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving * High-quality components & exceptionally rugged construction ensure long life * Conceived & designed by BEHRINGER Germany The new XENYX Mic Preamp matches the sound quality, transparency, headroom & even the dynamic range of boutique-style, stand-alone mic preamps. Our neo-classicBritish EQbrings back the warmth & musicality of those 60s & 70s mega-console desks that made music history. The XENYX FX mixers incorporate a new studio-grade 24-bit FX processor. Get 100 |
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