AUDIO EQUIPMENT

The Brand New Oticon ConnectLine Microphone that completes end to end connection between your Hearing Aids and your Conversation Partner

Oticon has always been on the move towards development and innovation of new and technologically advanced hearing aids to help its users with more added value and comfort. Oticon ConnectLine communication devices have made it easier and much simpler for users of hearing aids to listen to their Apple iPods and personal MP3 players, their TVs, and their Bluetooth mobile phones for a while now. But with yesterday’s introduction of the Oticon ConnectLine personal microphone, one finally can hear their dinner companion as well, even in a noisy restaurant.

 

The new and the latest wireless Oticon ConnectLine Microphone clips to your conversation partner’s lapel and picks up his or her voice while filtering out unwanted background sounds. It transmits the audio directly to the ConnectLine Streamer, which you wear on a loop around your neck, and the streamer transmits the unadulterated audio signals directly into your Oticon Agil hearing aids. It can also be adjusted to transmit at frequencies most compatible with the listener’s hearing loss profile and hearing aids.

Ever since the big hearing aid makers began incorporating communication receivers directly into hearing aids, there’s been a not-so-quiet revolution in people’s ability to connect to more of the sounds of the modern world. But strangely enough, it’s taken some time for the major manufacturers to come up with workable assistive-listening solutions for the most common complaint of hearing-aid wearers–comprehension of speech in noisy surroundings. The ConnectLine Microphone is one approach to the speech-in-noise problem that is small and easy enough to actually be useful in the real world. When you add to the Oticon ConnectLine solutions for your TV, phone and personal listening system, you end up with a complete, end-to-end listening and comprehension system.

 

Oticon has always come up with innovative ideas on hearing aids. Rigging your conversation partner with a microphone and transmitter is not a new idea. But earlier solutions required the conversation partner to wear a microphone hooked up to a sizable transmitter, and the hearing aid wearer had to hang a receiver around their neck with a neckloop that transmitted the audio to the hearing aid’s telecoils. The whole thing used to be a bit tedious.

 

The small, lightweight ConnectLine Microphone gets the equation right on the transmission end by integrating the transmitter into the microphone and sending wireless signals to the ConnectLine Streamer. Then having the body worn Streamer transmit directly into the Oticon hearing aids (from up to 0.5 meters), rather than depending on a less-than-reliable neckloop plus telecoil combination, gets the equation right on the receiving end. It’s not an all-purpose solution to the problem of understanding speech in noise–it would be impossible to dole out microphones to the shifting cast of characters in multiple cocktail-party conversation circles, for instance. And as a pricey add-on to a set of high-end hearing aids that can set you back as much as Rs. 1,40,000 /- (Approximately    3,000 USD) each, the ConnectLine peripherals don’t come cheap, but they honestly do point to a future of better hearing connectivity and listening comprehension. Like Oticon, leading manufacturers including Starkey Laboratories, Phonak, ReSound, Siemens and Widex have introduced their own wireless connectivity components for their premium hearing aids.

 

About the Author

Center For Hearing Aids

 

E-32, Hauz Khas Market,
New Delhi-110016

E-mail : ramavisionhearing@gmail.com

Contact no: +91 – 9810074489

http://www.hearingaidsdelhi.com/

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Applied Microphone Technology AMT HR2 Clip On Harmonica Microphone $180 The AMT HR-2 mic is a clip on version of the AMT HR1 hand held microphone system for harmonica. The system is low in profile, which allows it to be used with a standard neck harness. The microphone comes with clips to attach to the harmonica. The AMT HR2 is the only microphone on the market that can be used in combination with a harmonica neck brace.The AMT HR2 can be used with most major brand wireless belt pack transmitters and receivers. With the AMT Interface, the microphone can plug directly into the interface which then plugs directly into most major brand wireless units. When ordering the AMT Interface, be sure to know your wireless make, model, and pin out configuration. Interfaces are made to order.Allows use with 9V battery or phantom power battery preferred. Condenser microphone for harmonica / mouth harpCan be used in combination with a harmonica neck braceCompact cylindrical designHandles sound pressure levels well above 141dBRugged and lightweight anodized aviation aluminum construction Includes belt-pack preamp and hardshell Blo-mold protective case

Atlas Sound Microphone Clip $14.99 The MICCLIP is an outstanding microphone clip from an industry-standard brand, Atlas Sound, whose mic stands have been used for the past 70 years by artist such as the Beatles and Elvis to todays hottest bands like Gym Class Heros, Fall Out Boy, and The Academy Is. This mic clip is made from rugged molded plastic and is just as durable as it is reliable. Available in black, it can accommodate microphones with a tapered diameter of 1 to 1-1/2 .Rugged molded plastic

Audio,Wireless,100 Watts,Built-in CD/Cassette,Black (OKSPRA7000) $819.29 Our 100-Watt Wireless Personal Amplification System is a powerful unit perfect for on the go voice amplification for audio coverage that will reach up to 10,000 people and 100,000 sq. ft! The amplification system is housed in a rugged portable case that features a handheld wireless microphone that will convert any size room into an amplified hall. Its built-in CD/DVD player allows you to implement music multimedia sound effects during presentations, and its record-able Cassette-tape deck allows you to record your speeches during use with the push of a button. Standard base/treble controls with mic volume allow the user to customize to the room size meaning its perfect for large auditoriums or small conference rooms and with multiple mic inputs, additional speakers can join in on the presentation. The unit also works great for outdoor use. Line out for extension speaker capability. Retractable carry handle and wheels allows for easy transport set-up at all locations. AC/DC power included. Looking for a microphone to go with this system? Take a look at the Wireless Handheld Mic, or the Wireless Tie Clip Mic/Lavalier! Assembly level/degree of difficulty: No Assembly Required. In the event of a return this item is subject to a restocking fee.

Audio-Technica AT803 Lavalier Microphone – Dynamic – Lapel – 30Hz to 20kHz – Cable $159.99 The AT803 provides excellent yet unobtrusive sound pickup for lecturers and stage/TV performers. Designed for clip-on lavalier and musical instrument use, it features an integral 80 Hz high-pass filter that provides easy switching from a flat frequency response to a low-end roll-off. The microphone operates on battery or phantom power.

Audio-Technica AT8419 Rotating Clothing clip for AT831 AT803 $14.99 The Audio-Technica AT8419 microphone clip works with Audio-Technica’s AT831 and AT803 lavaliere microphones. The AT8419 mic clip is fastened to a black, hinged tie-clip with rigid teeth making it easy to attach to a variety of clothes. Made to work with the AT831 and AT803 microphones Rotating style clip for mic

Audio-Technica AT8442 Lavalier Microphone Clip $9.99 The Audio-Technica AT8442 Lavalier Microphone Clip lets you securely attach any lavalier mic to your clothing and gives you worry-free mobility. Made of durable plastic.

Audio-Technica M4000S Handheld Dynamic Microphone $49.98 The handheld Audio-Technica M4000S dynamic microphone combines professional features with a ridiculously affordable price tag. Audio-Technica tailors the M4000S mic’s frequency response for crystal-clear vocal reproduction. Great feedback rejection and focused pickup are due to the A-T microphone’s unidirectional polar pattern. The M4000S Audio-Technica mic also is equipped with a handy On/Off switch for convenience. Audio-Technica professional microphone enhancements include a balanced XLR output, and a mic clip. Whether you’re on the road, in the studio, or just performing at local gigs. Expect the all-metal Audio-Technica M4000S microphone to provide you with years of trouble-free use.Frequency response tailored for crystal-clear vocal reproductionUnidirectional pattern for feedback rejection and focused pick upAll-metal design for years of trouble-free useConvenient on/off switchProfessional features include balanced XLR output and mic clip

Audio-Technica PRO 35 Lapel Instrument Microphone – Dynamic – Lapel – 50Hz to 15kHz – Cable $159.95 Designed for sax, toms, brass and percussion, the PRO 35 excels in high-SPL applications and is ideal for active stage performances. Its extended frequency response captures subtle nuances of the performance. The included UniMount clip permits accurate positioning and provides shock resistance while protecting the element. The microphone’s cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of the desired sound source.

Audio-Technica Pro AT-831CW Lapel Microphone $86.85 This clip-on lavalier mic provides crisp, full-sounding voice pickup. The AT831CW also excels as an instrument mic. The mic is ideal for higher SPL applications. Excellent gain before feedback and suppression of background noise. Operates on phantom power only.

Audio-Technica Pro AT2041SP AT2020 And AT2021 Microphone Package $289 The AT2041SP Studio Pack offers two versatile 20 Series condenser microphones for use in home, project and commercial studios. Equally at home with digital and analog recording devices, the two included studio condensers deliver remarkable specs and superior build. The critically acclaimed AT2020 side-address condenser is ideal for vocal and instrument applications, while the new AT2021 small-diaphragm condenser is a natural for acoustic instruments, overheads, hi-hat and piano. Audio-Technica?s stringent quality/consistency standards set both microphones apart from other mics in their class. Each offers a wide dynamic range and handles high SPLs with ease. An innovative pivoting stand mount is included along with a microphone clip and protective pouches.

Audio-Technica Pro PRO70 Professional Mini Cardioid Condenser Lavalier/Instrument Microphone $140.11 This miniature condenser microphone achieves full-sounding pickup and is known for outstanding consistency and dependable performance. Supplied with both a clothing clip and guitar mount, it provides natural and articulate vocal reproduction when used as a clip-on lavalier and excels in pickup of acoustic guitar. The PRO 70 is designed to make music and speech clearly and comfortably audible, yet never draw attention to itself or its operation.

Audix Concert Dynamic Vocal Microphone with Switch – OM3-S $134.43 The Audix OM3-S is a dynamic vocal microphone that’s comfortable in a wide variety of live, studio, and broadcast applications. Designed, assembled, and tested by Audix in the USA, the OM3-S mic is known for its clear and accurate sound reproduction, resistance to feedback, and ability to handle very high sound pressure levels without distortion. The OM3-S microphone has a handy on/off switch.The Audix OM3-S is displays a tight and uniformly controlled hypercardioid polar pattern which helps to isolate vocals from the rest of the instruments on stage. With a wide frequency range of 50Hz 18kHz, the OM3-S mic employs a VLM (Very Low Mass) diaphragm for a clean and natural sound with exceptional transient response.The Audix OM3-S is naturally attenuated in the lower mid-bass frequencies in order to reduce boominess and handling noise. This, in conjunction with an extremely articulate mid-range, makes the Audix OM3-S mic an excellent choice for PA systems of all sizes. The durable Audix OM3-S is well-balanced, comfortable to hold, and made with high standards and tight tolerances.The Audix OM3-S Vocal Microphone’s roadworthy construction includes a precision die-cast zinc alloy body, black e-coat finish, laser-etched model and serial number, steel mesh grill, Switchcraft XLR connector, and heavy duty nylon clip.Ideal for live, studio, and broadcastClear, accurate sound reproductionOn/off switch

Audix D-CLAMP Audix Dclamp Flexible Mini-Gooseneck With Drum Tension Lug Clamp $27.95 The Audix D-Clamp Percussion Mount Mic Clip eliminates drummers’ concerns about microphone positioning. With a low profile and low mass, the D-Clamp clips to the lugs of most percussion instruments and holds your microphone in a rock-solid grip. Simple to use and easy to position. Players and sound engineers will appreciate the D-Clamp’s flexible neck and road-rugged composite material. Holds 5/8 mic clips.Fits any 5/8 mic grip.Flexible gooseneck.Sturdy composite construction.Clamps to drum lug.Keep your mics exactly where you want them.

Audix F15 Fusion Series Instrument Microphone $69.95 The Audix Fusion f15 Mic is ideal for a wide variety of recording or live situations. It can capture the wide sound field and transients of cymbals in a overhead miking setup just as deftly as it can get both the highs and lows of your vocals. This condenser microphone is able to add dimension and realism with a 100Hz-20kHz frequency response and cardioid polar pattern. Compact and roadworthy, the Audix f15 condenser mic features a durable, cast zinc alloy body, steel-mesh grill, and integrated mic clip. Each mic operates on phantom power of 9-52 volts.Ideal for capturing vocals and instruments, as well as overhead drum mikingCondenser mic100Hz-20kHz frequency responseCardioid polar patternDie-cast zinc housingSteel mesh grillIntegrated mic clip

Audix F5 Instrument Microphone $79.99 The all-purpose Audix f5 Fusion Series dynamic instrument microphone is designed to mic a wide variety of musical instruments, including snare, toms, percussion, guitar and bass cabinets, brass, flute, and woodwinds, as well as vocals and speech. Assembled and tested by Audix in the USA, the f5 is an ideal mic for both stage and studio applications. With a wide frequency response of 55Hz-15kHz, the versatile Audix f5 mic provides clear, accurate, natural sound reproduction without having to rely on EQ. The f5 mic handles sound pressure levels in excess of 137dB without distortion, which lets you mic anything from guitar and bass cabinets to heavy brass with supreme confidence. Sturdy, compact, and easy to position, the f5′s roadworthy construction includes a precision-cast zinc-alloy body, black finish, laser etched model number, steel mesh grill, gold XLR connector, and a tension-fit heavy-duty-nylon mic clip.Using in Audix f5:The f5 has a tight (hypercardioid) pick-up pattern in order to help eliminate sound from other instruments on stage from bleeding into the microphone. For this reason, it the f5 is exceptionally effective for drums and percussion in be able to capture the sound of each component of the kit. Snare:Start with the f5 about 2 inches above the head and aimed towards the center of the drum. For more rim effect, the f5 can be aimed less towards the center and more towards the rim. It is not uncommon for engineers to place the mic practically right on the drumhead to achieve a very tight, cracking sensation. Toms, congas:Similar to snare. For tighter sound and more attack place, the mic closer to the head. For more decay and overtones pull the mic further away from the head. Guitar cabs: The f5 can be placed within 1-2 inches of the grill cover at a 90 angle pointing directly into the speaker. If the mic is placed closer to the edge of the speaker, you will minimize the higher frequencies and get a warmer, fatter tone. To capture more highs,

Audix F50 Fusion Series Vocal Mic $39 The Audix F50 Dynamic Vocal Microphone is designed for a wide variety of live and studio applications. The Audix F50 mic is known for its warm, natural sound reproduction, resistance to feedback, and ability to handle high sound pressure levels without distortion.The Audix F50 has a tight and uniformly controlled cardioid polar pattern which helps to isolate vocals from the rest of the instruments on stage. The F50 microphone has a wide frequency range of 50Hz 16kHz.The Audix F50 microphone is designed to sound clear and full-bodied in any application. The F50 is well-balanced, comfortable to hold microphone, durable, and manufactured with very high standards and tight tolerances. The Audix F50 Dynamic Vocal Microphone’s roadworthy construction includes a precision cast zinc alloy, black e-coat finish, steel mesh grill, gold plated XLR connector, and heavy duty ABS clip.Warm, clear, full soundRoadworthy constructionGreat for vocals, drums, guitar cabinets, acoustic instruments, and home recording

Audix F50 Fusion Series Vocal Microphone Bundle $79.95 The F50 is a dynamic vocal microphone designed for a wide variety of live and studio applications. The F50 is known for its warm, natural sound reproduction, resistance to feedback and ability to handle high sound pressure levels without distortion. The F50 is characterized with a tight and uniformly controlled cardioid polar pattern which helps to isolate the vocals from the rest of the instruments on stage. With a wide frequency range of 50 Hz to 16 kHz, the F50 is also available with a noiseless, magnetic on-off switch in F50-S. The F50 is designed to sound clear and full bodied on small to mid-size PA systems. The F50 is well balanced, comfortable to hold, durable, and manufactured with very high standards and tight tolerances. Roadworthy construction includes a precision cast zinc alloy, black ecoat finish, steel mesh grill, gold plated XLR connector and heavy duty ABS clip.

Audix FIREBALL-V Dynamic Instrument Microphone $149 Well-suited for both chromatic and diatonic harmonicas, The FireBall-V is a dynamic microphone with sleek styling and a unique design. It features a dent-resistant ball grill with a deep red internal pop filter and is contoured to fit comfortably within the palm of the hand. A full-sized dynamic capsule featuring VLM (Very Lo Mass) technology provides big, full-bodied sound that is very clean and accurate. The FireBall is resistant to feedback and is capable of handling sound pressure levels in excess of 140dB without distortion. Made to be cupped, it will operate as if in an open-air environment even under the most demanding conditions. A smooth and uniform frequency response of 50Hz-16kHz and a cardioid polar pattern allow it to focus on the particular instrument being miked without picking up other instruments or ambient noise.CNC machined out of a solid bar of aircraft-grade aluminum, it then goes through an elaborate 3-stage anodizing process for a distinctive look. Each FireBall is attractively laser etched with its name and serial number. Includes a heavy-duty mic clip and carrying pouch.Dynamic moving coil transducerVLM (very low mass) Type B capsuleCardioid pickup patternVolume controlAluminum housingAnodized finish4-1/2 oz3 L

Audix FIREBALL-V Dynamic Instrument Microphone Bundle $129.99 Designed, assembled and tested by Audix in the USA, the FireBall V is a professional dynamic instrument microphone intended for harmonica (both diatonic and chromatic) and beatbox. Clear, accurate, and capable of handling sound pressure levels in excess of 140 dB without distortion, the FireBall V is ideally suited for both live stage and recording applications and has the added convenience of a volume control. The FireBall V is characterized with a cardioid pickup pattern for isolation and feedback control, and is equipped with a VLM (Very Low Mass) diaphragm for natural sound reproduction with exceptional transient response. With a wide frequency response of 50 Hz – 16 kHz, the FireBall V is lightweight, compact and comfortable to hold. Roadworthy construction includes a precision cast zinc alloy body, steel mesh grill, black e-coat finish, laser etched model and serial number, Switchcraft XLR connector and includes a tension-fit heavy duty nylon mic clip. The FireBall V is a low impedance microphone; when using the FireBall V with a guitar amplifier, a high quality low-high impedance transformer (such as T50K) is required. ***** APPLICATIONS : Live stage, studio, Harmonica, Vocals, Beatbox, Percussion, Saxophone, trumpet, trombone, Flute, Accordian. ***** SUPPLIED ACCESSORIES : Heavy duty press fit mic clip (DCLIP), Carrying pouch (P1)

Audix FIREBALL-V Dynamic Instrument Microphone Bundle $129.9 Designed, assembled and tested by Audix in the USA, the FireBall V is a professional dynamic instrument microphone intended for harmonica (both diatonic and chromatic) and beatbox. Clear, accurate, and capable of handling sound pressure levels in excess of 140 dB without distortion, the FireBall V is ideally suited for both live stage and recording applications and has the added convenience of a volume control. The FireBall V is characterized with a cardioid pickup pattern for isolation and feedback control, and is equipped with a VLM (Very Low Mass) diaphragm for natural sound reproduction with exceptional transient response. With a wide frequency response of 50 Hz – 16 kHz, the FireBall V is lightweight, compact and comfortable to hold. Roadworthy construction includes a precision cast zinc alloy body, steel mesh grill, black e-coat finish, laser etched model and serial number, Switchcraft XLR connector and includes a tension-fit heavy duty nylon mic clip. The FireBall V is a low impedance microphone; when using the FireBall V with a guitar amplifier, a high quality low-high impedance transformer (such as T50K) is required. APPLICATIONS : Live stage, studio, Harmonica, Vocals, Beatbox, Percussion, Saxophone, trumpet, trombone, Flute, Accordian. SUPPLIED ACCESSORIES : Heavy duty press fit mic clip (DCLIP), Carrying pouch(P1).

Audix I-5 Dynamic Instrument Microphone $99 The cardioid pattern Audix i5 Instrument Microphone is a dynamic mic with a smooth, uniform frequency response of 50Hz-16kHz with SPL handling of 140dB. It’s versatile enough to handle a wide variety of applications and music genres. The i5 is truly a mic for all seasons and sounds great on vocals, snare, and guitar amps, with a clarity that will astound you. It features a durable cast zinc alloy body, dent-resistant grille, and black E-coat finish. Attractively laser etched with its model and serial number. Audix includes a heavy-duty mic clip and carrying pouch with the i5 Instrument microphone.Cardioid pattern Smooth, uniform frequency response High SPL handling Durable cast zinc alloy body Dent-resistant grille Black E-coat finish Cable: 55 (1.4 m)Accessories Furnished: Windscreen, Heavy-duty mic clip, and carrying pouch

Audix MICRO-D Miniature Instrument Condenser Mic for Hard Wired Applications $189 The Audix Micro-D Mini Clip-On Condenser Drum Mic’s 140dB SPL handling makes it an especially good microphone for drums and speaker cabinets. The Micro-D can be used with 3 types of specialized clips and 2 interchangeable capsules (hypercardioid capsule standard; optional cardioid). With a very smooth response curve from 40Hz-20kHz, the Audix Micro-D is lightweight and compact. Aluminum ring housing with rubber shockmount system. Operates on phantom power of 9-52V. The clip-on mic comes with phantom power adapter, integral D-Vice clamp, cable, windscreen, and carrying pouch. Low-noise circuitry and balanced low-impedance out provide quiet performance, even with long cables.40Hz-20kHz frequency rangeHypercardioid pattern (Optional cardioid capsule available)250 ohm output impedance5mV open circuit sensitivity24dB (A weighted) equivalent noise level70dB S/N ratio9-52V phantom power140dB maximum SPL3-pin goldplated XLR connector

Audix OM2 Concert Dynamic Vocal Microphone $99 The American-made Audix OM2 is a hand-held dynamic vocal microphone designed primarily for live performance. With a hypercardioid pickup pattern and a frequency response of 50-16k Hz, the OM2 mic has the same well-balanced, comfortable profile as Audix’s high-end touring vocal microphones. The OM2 featuries a low reflective black e-coat finish. Transformerless design, low impedance, and balanced output allow interference-free performance even with long cable runs. A dent-resistant spring-steel grill and sound pressure handling capabilities in excess of 140dB add to the Audix OM2′s road-worthiness. Transducer Type: Dynamic Frequency Response: 50 Hz- 16kHz Polar Pattern: Hypercardioid Output Impedance 250 ohms Sensitivity: 71.5dB Capsule Technology VLM Type B Off axis rejection >25dB Maximum SPL: >140dB Cable/Connector: 3 pin gold plated male XLR Polarity: Positive voltage on pin 2 relative to pin 3 of output XLR connector Housing: Zinc alloyAccessories: adjustable mic clip with 5/8 27 thread stand adapter, zippered carrying pouch Dimension: (L x D): 6.73 x .944 (shaft)Weight: 10.5oz/298 grams

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