AUDIO EQUIPMENT

Universal Microphone Stand

There are many companies which are introducing new microphone stands; universal microphone stand is one of them. universal microphone stand is design for those musician and presenters which take their any instrument with them on stage. universal microphone stand helps them to support and operate their instrument easily. It helps to adjust and positioned the microphone on any location without requiring a performer to hold it like in a studio on the stage during any performance. universal microphone stand is a great compact on stage and it is very useful. It can be use in variety of ways and purposes. A universal microphone is an adjustable standing mount for microphones and if you have Xbox 360, Wii, PS3 or PS2 and you want to take it on stage then universal microphone stand is the best choice for you
Features Of Universal Microphone Stand
Universal microphone stand has following different features

* It is sturdy and due to its sturdiness it is durable under the most demanding situation.

* Its microphone cable clip prevents the tangles and it can grip the all types of microphones.

* It consist of three other unique clips for control which allows to store your Xbox 360, Wii, PS3 or PS2

* Its aluminum wide-stance Tripod Base maintains stability.

* Microphones quickly and firmly can insert and remove.

* In universal microphone stand all the connectors and buttons are accessible which helps you to do better performance.

* It can be adjust according to the height with a range of 38-58inches (95-135cm)

Why You Buy Universal Microphone Stand?

I suggest you to buy universal microphone instead of any other simple microphone stand because it can grip sturdily all types of rock band microphones and it also allows three other unique controlling clips on which you can insert you Xbox 360, Wii, PS3 or PS2 which helps you in quick fingertip access for in-game navigation and setup. universal microphone stand can be very adaptable due to its firmly adjustable cable clips which allows will keep your microphone cord from getting in your way when you are doing performance. It’s style and design is attractive and it is inexpensive, you can easily effort it. So if you are going to present a rock performance you must buy universal microphone stand to rock on the stage
You can buy universal microphone stand easily from any online store just select the stand and add it to cart

Universal Microphone Stand

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Daniel O’Donnell – 3×2 inch Fridge Magnet – large magnetic button – Magnet $4.99 Rectangular wrap-around refrigerator magnet and a glossy mylar cover.Large 2×3 inch rectangle fridge magnet or ‘buttons’ as they are sometimes known in the USA.Crop shown is automated for display purposes only. All magnets are hand finished and the best most appropriate crop will always be selected to best show the full image. Therefore, actual product may vary slightly from crop shown – this can …

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Hottie – LED Lighted Microphone Stand with Tripod Base White Light $99.00 The Hottie is the world’s first adjustable, lighted mic stand for incredible stage lighting effects or even for your home karaoke nights. If you’re the type of rockstar that can’t stand still, this tripod model is for you. Made from a virtually unbreakable acrylic, these Hotties will be glowing strong even if you end up in the mosh pit. 3 AAA batteries give you up to 10 hours of brilliance to mak…

Hottie – LED Lighted Microphone Stand with Tripod Base and Boom Arm Red Light $109.00 The Hottie is the world’s first adjustable, lighted mic stand for incredible stage lighting effects for your pro sound and light setup or even for your home karaoke nights. Made from a virtually unbreakable acrylic, these Hotties will be glowing strong even the pit ends up onstage. 3 AAA batteries give you up to 10 hours of brilliance to make your next show Larger Than Life….

Rock Show Club LED Light Set of Two Stage Mini Monitors $69.91 Rock Show Venue is the ultimate accessory for the Guitar Hero and Rock Band titles. These compact floor monitors transform your living room into a full-blown stage experience. Ultra bright, sound responsive LEDs create a light show that brings your gaming experience to life. You can plug in your iPod, mp3 player, or instrument into the 1/4″ jack to amplify the sound. Crank up the volume, hit the l…

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1 Pair of New Karaoke PA DJ Band 8 Pro Audio Powered Active 400 Watt Speakers PP802A2 $289.99 These active speakers are perfect for small events. Mix in a CD player, rhythm machine or keyboard with your voice, no other equipment needed! Sophisticated design and measurement equipment, including computer assisted design software was used to design this speaker to achieve an optimized balance and interface between components to give the best quality performance and longer life. The 50oz 8 woofer with accordion edge surround and 2 aluminum voice coil deliver rich highs, deep bass and are always crystal clear. The wide dispersion titanium membrane tweeter with 1.75 voice coil delivers extraordinary high-frequency extension due to a design that combines very high motor strength with low moving mass. The twin port design smooths air flowing in and out of the cabinet, reducing turbulence and port noise. The twin ports also increase linearity, lowers distortion, reduces 5th order harmonic distortion, provide an output increase as high as 2-3dB and help to reach extra low bass. The most exciting feature of these powered speakers are the built in amplifiers. 200 watts RMS and 400 watts max power output per speaker is perfect for any audio application. The amp features a combination XLR and 1/4 inch jack input and separate volume control for a microphone. 1/4 inch jack input and separate volume control for an additional component. 1/4 inch jack line level output for adding additional powered speakers. Master volume control, 3a fuse round out the awesome features of this built in amp. These speakers are used by musicians, DJ’s, rental companies and many fixed installations including houses of worship, theaters, music halls, meeting rooms, amusement parks, hotels, stadiums, nightclubs and auditoriums. The rugged, lightweight ABS plastic cabinets have rubber feet and a pole mount with knob adjustment to secure to any size speaker stand. The angled side is designed for use as a stage monitor. Power cable and full instructions are included. Priced and sold as a pair.

1 Pair of New Karaoke PA DJ Band Powered Active 10 Pro Audio 600 Watts Speakers PP1002A2 $329.99 These active speakers are perfect for small events. Mix in a CD player, rhythm machine or keyboard with your voice, no other equipment needed! Sophisticated design and measurement equipment, including computer assisted design software was used to design these speakers to achieve an optimized balance and interface between components to give the best quality performance and longer life. The 60oz 10 woofers with accordion edge surrounds and 2 aluminum voice coils deliver rich highs, deep bass and are always crystal clear. The wide dispersion titanium membrane tweeters with 1.75 voice coils delivers extraordinary high-frequency extension due to a design that combines very high motor strength with low moving mass. The twin port design smooths air flowing in and out of the cabinets, reducing turbulence and port noise. The twin ports also increase linearity, lowers distortion, reduces 5th order harmonic distortion, provide an output increase as high as 2-3dB and help to reach extra low bass. The most exciting feature of these powered speakers are the built in amplifiers. 500 watts RMS and 1000 watts max power output for the pair is perfect for any audio application. The amps features a combination XLR and 1/4 inch jack input and separate volume control for a microphone. 1/4 inch jack input and separate volume control for an additional component. 1/4 inch jack line level output for adding an additional powered speaker. Master volume control round out the awesome features of these built in amps. These speakers are used by musicians, DJ’s, rental companies and many fixed installations including houses of worship, theaters, music halls, meeting rooms, amusement parks, hotels, stadiums, nightclubs and auditoriums. The rugged, lightweight ABS plastic cabinets have rubber feet and a pole mount with knob adjustment to secure to any size speaker stand. The angled sides are designed for use as a stage monitors. Power cable and full instructions are included. Priced and sold as on

1 meter (3.28 feet) – Better Cables Silver Serpent XLR Cable (Microphone Cable) – Single Cable – High-End, High-Performance, Silver/Copper Hybrid, Low-Capacitance, Audiophile XLR Microphone Cables (XLR Male to XLR Female) $49.98 Silky-smooth audio using our advanced precision conductors and industry-low capacitance measurements. This audio cable is a dual conductor, twisted pair configuration. It features 99.999% pure silver coated conductors. Balanced lines are the preferred method (for hum free) interconnecting of sound systems using a shielded twisted-pair. The principal behind balanced lines is that the signal is transmitted over one wire and received back on another wire. The shield does not carry any information, thus it is free to function as a true shield. This circuit’s shining virtue is its great common-mode noise rejection ability. The concept here relies on induced noise showing up equally (or common) on each wire. It is mainly due to EMI (electromagnetic interference: passing through or near magnetic fields), RFI (radio frequency interference: strong broadcast signals), noisy ground references, or a combination of all three. Our Silver Serpent Reference Microphone Cable cables exhibit exactly equal impedance from each line relative to ground, guaranteeing equal noise susceptibility. Since the balanced input stage amplifies only the difference between the lines, it rejects everything else (noise) that is common to the lines.

10 meter (32.8 feet) – Better Cables Silver Serpent XLR Cable (Microphone Cable) – Single Cable – High-End, High-Performance, Silver/Copper Hybrid, Low-Capacitance, Audiophile XLR Microphone Cables (XLR Male to XLR Female) $139.98 Silky-smooth audio using our advanced precision conductors and industry-low capacitance measurements. This audio cable is a dual conductor, twisted pair configuration. It features 99.999% pure silver coated conductors. Balanced lines are the preferred method (for hum free) interconnecting of sound systems using a shielded twisted-pair. The principal behind balanced lines is that the signal is transmitted over one wire and received back on another wire. The shield does not carry any information, thus it is free to function as a true shield. This circuit’s shining virtue is its great common-mode noise rejection ability. The concept here relies on induced noise showing up equally (or common) on each wire. It is mainly due to EMI (electromagnetic interference: passing through or near magnetic fields), RFI (radio frequency interference: strong broadcast signals), noisy ground references, or a combination of all three. Our Silver Serpent Reference Microphone Cable cables exhibit exactly equal impedance from each line relative to ground, guaranteeing equal noise susceptibility. Since the balanced input stage amplifies only the difference between the lines, it rejects everything else (noise) that is common to the lines.

12 meter (39.36 feet) – Better Cables Silver Serpent XLR Cable (Microphone Cable) – Single Cable – High-End, High-Performance, Silver/Copper Hybrid, Low-Capacitance, Audiophile XLR Microphone Cables (XLR Male to XLR Female) $159.98 Silky-smooth audio using our advanced precision conductors and industry-low capacitance measurements. This audio cable is a dual conductor, twisted pair configuration. It features 99.999% pure silver coated conductors. Balanced lines are the preferred method (for hum free) interconnecting of sound systems using a shielded twisted-pair. The principal behind balanced lines is that the signal is transmitted over one wire and received back on another wire. The shield does not carry any information, thus it is free to function as a true shield. This circuit’s shining virtue is its great common-mode noise rejection ability. The concept here relies on induced noise showing up equally (or common) on each wire. It is mainly due to EMI (electromagnetic interference: passing through or near magnetic fields), RFI (radio frequency interference: strong broadcast signals), noisy ground references, or a combination of all three. Our Silver Serpent Reference Microphone Cable cables exhibit exactly equal impedance from each line relative to ground, guaranteeing equal noise susceptibility. Since the balanced input stage amplifies only the difference between the lines, it rejects everything else (noise) that is common to the lines.

15 meter (49.2 feet) – Better Cables Silver Serpent XLR Cable (Microphone Cable) – Single Cable – High-End, High-Performance, Silver/Copper Hybrid, Low-Capacitance, Audiophile XLR Microphone Cables (XLR Male to XLR Female) $189.98 Silky-smooth audio using our advanced precision conductors and industry-low capacitance measurements. This audio cable is a dual conductor, twisted pair configuration. It features 99.999% pure silver coated conductors. Balanced lines are the preferred method (for hum free) interconnecting of sound systems using a shielded twisted-pair. The principal behind balanced lines is that the signal is transmitted over one wire and received back on another wire. The shield does not carry any information, thus it is free to function as a true shield. This circuit’s shining virtue is its great common-mode noise rejection ability. The concept here relies on induced noise showing up equally (or common) on each wire. It is mainly due to EMI (electromagnetic interference: passing through or near magnetic fields), RFI (radio frequency interference: strong broadcast signals), noisy ground references, or a combination of all three. Our Silver Serpent Reference Microphone Cable cables exhibit exactly equal impedance from each line relative to ground, guaranteeing equal noise susceptibility. Since the balanced input stage amplifies only the difference between the lines, it rejects everything else (noise) that is common to the lines.

2 meter (6.56 feet) – Better Cables Silver Serpent XLR Cable (Microphone Cable) – Single Cable – High-End, High-Performance, Silver/Copper Hybrid, Low-Capacitance, Audiophile XLR Microphone Cables (XLR Male to XLR Female) $59.98 Silky-smooth audio using our advanced precision conductors and industry-low capacitance measurements. This audio cable is a dual conductor, twisted pair configuration. It features 99.999% pure silver coated conductors. Balanced lines are the preferred method (for hum free) interconnecting of sound systems using a shielded twisted-pair. The principal behind balanced lines is that the signal is transmitted over one wire and received back on another wire. The shield does not carry any information, thus it is free to function as a true shield. This circuit’s shining virtue is its great common-mode noise rejection ability. The concept here relies on induced noise showing up equally (or common) on each wire. It is mainly due to EMI (electromagnetic interference: passing through or near magnetic fields), RFI (radio frequency interference: strong broadcast signals), noisy ground references, or a combination of all three. Our Silver Serpent Reference Microphone Cable cables exhibit exactly equal impedance from each line relative to ground, guaranteeing equal noise susceptibility. Since the balanced input stage amplifies only the difference between the lines, it rejects everything else (noise) that is common to the lines.

3 meter (9.84 feet) – Better Cables Silver Serpent XLR Cable (Microphone Cable) – Single Cable – High-End, High-Performance, Silver/Copper Hybrid, Low-Capacitance, Audiophile XLR Microphone Cables (XLR Male to XLR Female) $69.98 Silky-smooth audio using our advanced precision conductors and industry-low capacitance measurements. This audio cable is a dual conductor, twisted pair configuration. It features 99.999% pure silver coated conductors. Balanced lines are the preferred method (for hum free) interconnecting of sound systems using a shielded twisted-pair. The principal behind balanced lines is that the signal is transmitted over one wire and received back on another wire. The shield does not carry any information, thus it is free to function as a true shield. This circuit’s shining virtue is its great common-mode noise rejection ability. The concept here relies on induced noise showing up equally (or common) on each wire. It is mainly due to EMI (electromagnetic interference: passing through or near magnetic fields), RFI (radio frequency interference: strong broadcast signals), noisy ground references, or a combination of all three. Our Silver Serpent Reference Microphone Cable cables exhibit exactly equal impedance from each line relative to ground, guaranteeing equal noise susceptibility. Since the balanced input stage amplifies only the difference between the lines, it rejects everything else (noise) that is common to the lines.

5 meter (16.4 feet) – Better Cables Silver Serpent XLR Cable (Microphone Cable) – Single Cable – High-End, High-Performance, Silver/Copper Hybrid, Low-Capacitance, Audiophile XLR Microphone Cables (XLR Male to XLR Female) $89.98 Silky-smooth audio using our advanced precision conductors and industry-low capacitance measurements. This audio cable is a dual conductor, twisted pair configuration. It features 99.999% pure silver coated conductors. Balanced lines are the preferred method (for hum free) interconnecting of sound systems using a shielded twisted-pair. The principal behind balanced lines is that the signal is transmitted over one wire and received back on another wire. The shield does not carry any information, thus it is free to function as a true shield. This circuit’s shining virtue is its great common-mode noise rejection ability. The concept here relies on induced noise showing up equally (or common) on each wire. It is mainly due to EMI (electromagnetic interference: passing through or near magnetic fields), RFI (radio frequency interference: strong broadcast signals), noisy ground references, or a combination of all three. Our Silver Serpent Reference Microphone Cable cables exhibit exactly equal impedance from each line relative to ground, guaranteeing equal noise susceptibility. Since the balanced input stage amplifies only the difference between the lines, it rejects everything else (noise) that is common to the lines.

8 meter (26.24 feet) – Better Cables Silver Serpent XLR Cable (Microphone Cable) – Single Cable – High-End, High-Performance, Silver/Copper Hybrid, Low-Capacitance, Audiophile XLR Microphone Cables (XLR Male to XLR Female) $119.98 Silky-smooth audio using our advanced precision conductors and industry-low capacitance measurements. This audio cable is a dual conductor, twisted pair configuration. It features 99.999% pure silver coated conductors. Balanced lines are the preferred method (for hum free) interconnecting of sound systems using a shielded twisted-pair. The principal behind balanced lines is that the signal is transmitted over one wire and received back on another wire. The shield does not carry any information, thus it is free to function as a true shield. This circuit’s shining virtue is its great common-mode noise rejection ability. The concept here relies on induced noise showing up equally (or common) on each wire. It is mainly due to EMI (electromagnetic interference: passing through or near magnetic fields), RFI (radio frequency interference: strong broadcast signals), noisy ground references, or a combination of all three. Our Silver Serpent Reference Microphone Cable cables exhibit exactly equal impedance from each line relative to ground, guaranteeing equal noise susceptibility. Since the balanced input stage amplifies only the difference between the lines, it rejects everything else (noise) that is common to the lines.

80′s Glitter Microphone Halloween Costume Accessory $3.95 Grab the microphone, take center stage, and belch out some of your favorite classic tunes! You know every word when you?re singing into the 80?s Glitter Microphone Costume Accessory. It features Glittery Microphone with a silver top portion and black hand piece! Every little girl dreams of becoming a pop star, and whether or not those dreams become a reality, it doesn?t matter! You can grab this Glittery Microphone and the fans will follow you wherever you go. This 80?s Glitter Microphone will go perfectly with almost any costume creation you put together this Halloween. You can become the next Britney Spears of your generation!

A Comedian Dies $45 Charles Paris, middle-aged actor turned amateur sleuth, is horrified when a vaudeville actor is electrocuted on stage by his microphone. It looks like an accident, but Charles is not so sure.

AKG Acoustics C4000B Multipattern Large Diameter Studio Condenser Microphone for Concert Hall, Recording, Strings and Vocals $499 The AKG Acoustics C 4000 B has genuine 1-inch dual-diaphragm condenser transducer with selectable cardioid, omnidirectional and hypercardioid polar patterns will enchant you with its unique state-of-the-art sound. Designed for miking up vocals, brass, acoustic and electric guitar and kick drum, the C 4000 B can handle every recording situation.Exceptionally high headroom and extremely low self noise put the C 4000 B among the condenser microphones with the widest dynamic range available today and it will give equally excellent results in the studio and on stage. A switchable 10-dB preattenuation pad allows the C 4000 B to be used for close-in miking of instruments producing extremely high sound pressure levels such as guitar amps etc. A switchable bass cut filter eliminates low-frequency noise.

AKG Acoustics C414 XL II Large Diaphragm Condenser Vocal Microphone, 5 Selectable Polar Patterns, Tr $999 The C 414 XL II is the successor of the famous C 414 B-TL II. It shows the unique sonic signature of the highly sought after AKG C 12 which enables lead vocals and solo instruments to be placed even in a dense mix. The unrivalled up-front sound is also well-known for distant miking applications like classic music recording or drum ambience miking. The XL II version differs from the XLS version in one major respect – the capsule. Both, the slight presence boost and the impressive spatial reproduction is similar to the legendary C 12 microphones. For over 60 years, leading musicians and engineers have used legendary AKG microphones to capture their sound so their audience hears every nuance. The C 414 family has been one of the world?s most widely-used and respected studio and stage microphones in audio history. AKG has continually set new benchmarks for useful features, improved technical specifications and ease of use to answer requests from ever-demanding recording studios, broadcast stations and audio engineers. The new models C 414 XLS and C 414 XLII offer nine pickup patterns which enable to choose the perfect setting for every application. For live-sound applications and permanent installations all controls can be disabled easily for trouble-free use. A Peak Hold LED displays even shortest overload peaks. Leading-edge technology and state-of-the-art components ensure the shortest signal path and extra protection against moisture. The C 414 comes complete with carrying case, pop filter, windscreen, and spider-type shock mount.

AKG Acoustics C414 XLS Large Diaphragm Studio-Standard Condenser Microphone, 5 Selectable Polar Patt $999 AKG’s legendary C 414 needs no introduction — it is a tool found in most recording studios and has been used on thousands of hit records; it’s been on stage with artists of every musical genre and is also used by leading broadcast facilities the world over. For over 60 years, leading musicians and engineers have used legendary AKG microphones to capture their sound so their audience hears every nuance. The C 414 family has been one of the world’s most widely-used and respected studio and stage microphones in audio history. AKG has continually set new benchmarks for useful features, improved technical specifications and ease of use to answer requests from ever-demanding recording studios, broadcast stations and audio engineers. The new models C 414 XLS and C 414 XL II offer nine pickup patterns which enable to choose the perfect setting for every application. For live-sound applications and permanent installations all controls can be disabled easily for trouble-free use. A Peak Hold LED displays even shortest overload peaks. The C 414 XLS maintains the sonic character of the legendary C 414 B-ULS, the longest-lived C 414 model. Engineered for highest linearity and neutral sound, it is the most universal and versatile large diaphragm microphone for decades. Widely used for accurate, beautifully detailed pickup of any acoustic instrument the new C 414 XLS combines proven reference quality, leading-edge technology and state-of-the-art components. The C 414 comes complete with carrying case, pop filter, windscreen, and spider-type shock mount.

AKG C 4000 B Stage and Studio Condenser Microphone $499 The genuine 1-inch dual-diaphragm condenser transducer with selectable cardioid, omnidirectional, and hypercardioid polar patterns will enchant you with its unique state-of-the-art sound. Designed for miking up vocals, brass, acoustic and electric guitar, and kick drum, the C4000B can handle every recording situation. Exceptionally high headroom and extremely low self noise put the C4000B among the condenser microphones with the widest dynamic range available today and it will give equally excellent results in the studio and on stage. A switchable 10-dB preattenuation pad allows the C4000B to be used for close-in miking of instruments producing extremely high sound pressure levels such as guitar amps etc. A switchable bass cut filter eliminates low-frequency noise.

AKG C214 LG DIAPH STUDIO/STAGE COND MIC $399 The new C214 is designed as a cost-effective alternative to the high-end, industry-leading C 414 family. It captures sound combining one side of the legendary C 414 dual-capsule system and AKG’s patented Back-Plate Technology. The result? Highly-detailed, up-front sound on both voices and instruments with an overall performance close to that of the famous C 414 B-XLS. Now you can get that epic AKG sound on any budget with the new C214! Like the C 414 models, the C214 is capable of handling the rigors of high-pressure sound such as amplified guitars, with a sensitivity perfect for voice and orchestral instruments as well. Additionally, the microphone offers a 20 dB Attenuation pad, 13 dB noise floor, and a low cut switch — all in an elegant but rugged package. Besides, the C214 will also work on low phantom power voltages from 12 up to 48 volts. Additional features include an integrated suspension, a double mesh grill high RF immunity without affecting acoustics. The circuitry in the C214 provides maximum SPL capability with minimum noise and the gold-plated XLR-type output connector offers loss-free signals. The C214 comes complete with carrying case, windscreen, and spider suspension mount included.

AKG D 5 Dynamic Vocal Microphone – Handheld – 70Hz to 20kHz – Cable $179 The D 5 dynamic vocal microphone for lead and backing vocals delivers a powerful sound even on the noisiest stage. Its supercardioid polar pattern ensures maximum gain before feedback. The D 5 stands for a crisp sound that cuts through every mix.

AKG D 5 Dynamic Vocal Microphone – Handheld – 70Hz to 20kHz – Cable $99 The D 5 dynamic vocal microphone for lead and backing vocals delivers a powerful sound even on the noisiest stage. Its supercardioid polar pattern ensures maximum gain before feedback. The D 5 stands for a crisp sound that cuts through every mix.

AKG D112 Industry Standard Large-diaphragm dynamic microphone for Bass Instruments and Kick Drum $199 The D 112 has earned a well-deserved reputation worldwide as the best kick drum microphone ever made. Heavy-footed drummers won t faze it, because the D 112 handles up to 160 dB SPL with no audible distortion. A specially engineered diaphragm with a very low resonance frequency maintains solid and powerful response below 100 Hz, while a narrow band presence rise at 4 kHz punches through dense mixes with little or no added EQ. The result is a kick drum sound that ideally balances precise definition and forceful impact. The D 112 is also an excellent choice for use with bass cabinets, trombones, etc. Built in windscreen, SA 60 stand adapter included.Large-diaphragm dynamic microphone for bass instrumentsExtremely high SPL capabilityClassic microphone for stage and studio applications

AKG D5 STANDARD DYNAMIC VOCAL MIC $99 The AKG Acoustics D 5 dynamic vocal microphone for lead and backing vocals delivers a powerful sound even on the noisiest stage. Its supercardioid polar pattern ensures maximum gain before feedback (for more details, visit www.feedbackisdead.com). The D 5 stands for a crisp sound that cuts through every mix. AKG made the first microphone diaphragm ever whose thickness varies across its diameter. The new Laminated Varimotion diaphragm deep-drawing process allows the diaphragm itself to be fine-tuned with no extra tuning resonators, leading to a quantum leap in audio performance. The dual shock mount eliminates any kind of mechanical noise for trouble-free live use.

APX1000 Pearl White – Yamaha -APX1000PW $799.99 DESCRIPTIONS: The APX series has always placed emphasis on playability, stylish thin body profile and cutting edge electronics. The Yamaha APX1000 Thinline Cutaway Acoustic-Electric Guitar offers upgraded cosmetics, solid Sitka spruce top, flamed maple back & sides, S.R.T. pickup/preamp and exceptional playability.This APX shines on stage. With its ultra-comfortable thin-line body and slim, fast neck the transition from electric guitar could not be easier. All-new color variations and updated inlays make sure APX looks as good as it sounds.APX Soundhole: OvalThe instantly recognizable APX soundhole thickens lower-mid response and gives a more strident, open low end.APX Body Depth:80-90mm (3 1/8 – 3 9/16)APXs thin-line body combines incredible comfort, easy top-fret access and a sound perfectly suited to on-stage use with bright, clear mids, balanced highs and controlled lows. Specially designed non-scalloped X-type bracing allows the guitars top to sing and maximizes the resonance of the unique body shape for a full, natural tone. With dynamics, sensitivity and clarity built into the design from day one, APX is a guitar not to be underestimated.SRT PickupWhen professional guitarists want to record real acoustic guitar tone, theyll record the guitar with a microphone. That holds true for guitarists who prefer using electric-acoustics on stage as well. Electric-acoustics are very effective in live situations due to their ability to adjust sound and balance volume with the other instruments in the band. But the sound that electric-acoustics deliver is merely the amplified sound from a pickup attached to the bridge or the top, and lacks true acoustic resonance and ambiance. True acoustic guitar tone that you hear on recordings only exists in the recording studio where experienced sound engineers have the means to capture that sound.Features: Solid Spruce TopFlamed Maple Back & SidesRosewood Fingerboard & BridgeDie-Cast Chrom

APX1000 Thinline Cutaway Acoustic-Electric Guitar Natural – Yamaha – APX1000 NA $799.99 DESCRIPTIONS: The APX series has always placed emphasis on playability, stylish thin body profile and cutting edge electronics. The Yamaha APX1000 Thinline Cutaway Acoustic-Electric Guitar offers upgraded cosmetics, solid Sitka spruce top, flamed maple back & sides, S.R.T. pickup/preamp and exceptional playability. This APX shines on stage. With its ultra-comfortable thin-line body and slim, fast neck the transition from electric guitar could not be easier. All-new color variations and updated inlays make sure APX looks as good as it sounds. APX Soundhole: Oval The instantly recognizable APX soundhole thickens lower-mid response and gives a more strident, open low end. APX Body Depth: 80-90mm (3 1/8 – 3 9/16 ) APX s thin-line body combines incredible comfort, easy top-fret access and a sound perfectly suited to on-stage use with bright, clear mids, balanced highs and controlled lows. Specially designed non-scalloped X-type bracing allows the guitar s top to sing and maximizes the resonance of the unique body shape for a full, natural tone. With dynamics, sensitivity and clarity built into the design from day one, APX is a guitar not to be underestimated. SRT Pickup When professional guitarists want to record real acoustic guitar tone, they ll record the guitar with a microphone. That holds true for guitarists who prefer using electric-acoustics on stage as well. Electric-acoustics are very effective in live situations due to their ability to adjust sound and balance volume with the other instruments in the band. But the sound that electric-acoustics deliver is merely the amplified sound from a pickup attached to the bridge or the top, and lacks true acoustic resonance and ambiance. True acoustic guitar tone that you hear on recordings only exists in the recording studio where experienced sound engineers have the means to capture that sound. Yamaha s new SRT system lets you create that same studio recorded sound. The system lets you choose

ART TPS II 2-Channel Variable Impedance Tube Preamp $139 The ART TPS II 2-Channel Variable Impedance Tube Preamp is coupled with ART’s proprietary V3 (Variable Valve Voicing) functionality to deliver tremendous versatility. It features variable input impedance which allows users to dial in and match any microphone type from large condensers to ribbon mics. Like its predecessor, the DPS, the newly improved V3 feature provides optimized reference points to begin the recording process for guitars, bass guitars, synths, acoustic instruments, percussion, vocals, and more. Unique to its class, the TPS II provides level monitoring with 2 analog meters as well as 2 newly added input monitoring LED meters. High-Z instruments or balanced microphone signals are input through front and rear panel jacks. This newly enhanced TPS II can accept +20dB peaks while maintaining over 120dB dynamic range, quiet performance, and incredibly low distortion. ART’s legendary tube stage delivers classic warm sound and adds additional tube voicing specifically tailored to vocal, guitar, bass, and acoustic instruments, making it an incredible DI box. OPL (Output Protection Limiting) controls overshoots and normalizes levels before clipping occurs. The TPS II was conceived, designed, and manufactured to the highest standards to provide years of quiet, reliable performance. Audition one and you too will know why the TPS II is among the most cost-effective professional mic preamp system you’ll find on the market today. Variable Input Impedance Newly enhanced V3 Variable Valve Voicing LED input meter Analog output meter Enhanced ART Tube Technology Automatically switches between instrument and mic preamp Wide frequency response (5hz-50kHz) Enhanced OPL Output Protection Limiter Toroidal transformer

ATW-3141b 3000 Series Dynamic Microphone Wireless System Channel L – Audio-Technica – ATW-3141bI $499 DESCRIPTIONS: With automatic frequency scanning to find and set the best available channel, 1001 UHF frequencies, true diversity protection from RF hits and dropouts, soft-touch controls, easy setup and great sound, the ATW-3141bI system delivers truly professional performance. Operating frequency of 482.000 MHz to 507.000 MHz. Includes an ATW-R3100b receiver and ATW-T341b handheld cardioid dynamic microphone/transmitter. The ATW-T341b handheld transmitter includes the stage-proven Artist Elite AE4100 cardioid dynamic element.

AV-JEFE AVL670 Professional Omnidirectional Earhook Microphone Black Color with Sennheiser 3.5mm Lock Screw Connector $95.99 AV-JEFE AVL670 is one of the smallest and lightest professional headsets in the world. It is designed for lecturers, musicians, sportscasters, surveillance, stage performers and other applications requiring minimum microphone visibility with hands-free operation.

AV-JEFE AVL670 Professional Omnidirectional Earhook Microphone Black Color with Shure Mini 4 Pin XLR $95.99 AV-JEFE AVL670 is one of the smallest and lightest professional headsets in the world. It is designed for lecturers, musicians, sportscasters, surveillance, stage performers and other applications requiring minimum microphone visibility with hands-free operation.

Ac-cetera Mic-Eze M-1 $14.69 The primary application is drum microphone placement. Drummers find Mic-Eze useful because it enables them to mic any part of their drum set by simply clamping this secure device to any rim, pole, or stand and use any microphone they choose. Use is not limited to drums,however. There are many situations in the studio and on stage where the Mic-Eze is helpful.Strong spring action clamp Extra wide opening clamp jaw Protective clamp pads Lock-on design Black finish Very light weight Strong and compact

Alesis MULTIMIX8LINE 8 Ch Rack Mountable Mixer $199 8 Pairs Of Stereo Rca Inputs. Microphone/Line Input On Channel 1. Stereo Effects Bus Which Can Be Shared Between Two Linked Units. Channel Expansion Feature For Expansion To 16 Stereo Input Channels. Individual Pan And Effects Send Controls On Each Channel. Signal Clip And Overload Leds On Each Input Channel. Stereo Five-Stage Led Ladder For Output Level Indication. Stereo Monitor Out. Mono Input Source Compatibility For Stereo Output

AmpliTube iRig(TM) $39.99 AmpliTube iRig is a combination of an easy-to-use instrument interface adapter for iPhone, iPod Touch and iPad mobile devices, and the new AmpliTube for iPhone software for guitar & bass. Simply plug the iRig interface into your iPhone, iPod Touch or iPad, plug your instrument into the appropriate input jack, plug in your headphones, amp or powered speakers, download AmpliTube FREE for iPhone, and start rocking! You’ll have at your fingertips the sound and control of three simultaneous stompbox effects + amplifier + cabinet + microphone just like a traditional guitar or bass stage rig! Add amps and effects as you need them you can expand your rig with up to 10 stomps, 5 amps, 5 cabinets and 2 microphones in the AmpliTube iRig app custom shop!

Apogee Ensemble FireWire Digital Interface MAC $1995 The Ensemble Multichannel Audio Interface from Apogee delivers high performance converters, pristine preamps, and tight integration with Core Audio. You can use the Ensemble easily with Logic, MOTU Digital Performer, Steinberg Cubase, Bias Peak, Propellerhead Reason, Ableton Live, or any professional Macintosh recording application that supports Core Audio to make flawless recordings. The Ensemble is the first professional audio interface that is all digitally controlled and designed specifically for Apple computers and Logic.The Ensemble features 36 simultaneously available audio channels with 8 channels of Apogee’s legendary A/D/A conversion and 4 transparent, digitally controlled 75dB mic preamps. It also has 8 channels of ADAT I/O, 2 channels of S/PDIF coax and optical I/O, and FireWire connectivity to and from the computer. When you get an Ensemble, you also get premium Apogee technologies such as Soft Limit, UV22HR, and Intelliclock. Soft Limit ensures your signal gets the maximum digital input level without overs, UV22HR gives you a superior dither from 24-bit resolution down to 16-bit, and Intelliclock is an advanced, dual-stage clocking tool. These technologies–combined with converters that set the standard for the audio industry–make Ensemble an ideal choice for professionals seeking a high-definition, integrated solution that’s easy to use.Ensemble is the first and only multichannel audio interface that is fully integrated into Logic Pro. With Ensemble, everything from mic pre and output gain to sample and bit rate selection are controllable from within the Apogee Control Panel in Logic.8 channels of premium 24-bit/192kHz A/D/A conversion4 75dB-gain microphone preamps2 fully balanced inserts on mic pre channels4 Hi-Z instrument inputs capable of handling high level instruments2 individual, controllable and assignable high level headphone outputs2, 6 or 8 channel monitor outputs8 channels of ADAT I/OFireWire 400 I/O, compatible with OS X Core Audio (no

Applied Microphone Technology AMT M40 Acoustic Piano Microphone System $453 The AMT M40 Acoustic Piano Microphone System is a bold new direction for microphones incorporating integrated circuit technology, an interchangeable chip which allows for multi-purpose use, and emulates many popular microphones with the advantages of its ultra compact size. The M40 Acoustic Microphone System includes the AMT M40 Microphone and the AP 40 Floor Preamp. The M40 Microphone system lets you reproduce the natural sound of the piano. Mono in design, the system allows for use even with the piano lid closed. It is capable of picking up subtle passages as well as sound pressure levels up to 141dB. The M40 microphone’s signal can be split and frequencies rolled off in a specific way to create a stereo image. The M40 Piano Microphone System features rugged construction of anodized aviation aluminum allowing it to withstand high impact while being lightweight and non-corrosive. The M40 has been designed for piano but works equally well in other applications such as boundary layer miking (conference, stage). The M-40 terminates to the AP 40 aluminum preamp with chip technology and can be powered by phantom power or 9v battery. Includes a hardshell Blo-mold protective case.

Archie Josie and The Pussycats Adult Costume $53.98 Josie and the Pussycats are a fictitious rock band that performed all over the world. Everywhere they went, they world get caught up in a new adventure, mystery or crazy caper. Josie is the lead singer in the band and wears a cat print costume on stage. The Sexy Women’s Josie & The Pussycats Josie Costume is a fun representation of the cartoon character. It features a leopard print dress with an attached tail, a white chest, a keyhole front ad pink bow accents. It also comes with a curly auburn wig with attached ears and bow, and a head microphone. You can add one of our many leopard print shoes to give this costume a complete look.

Archie Josie and The Pussycats Adult Costume $47.99 Josie and the Pussycats are a fictitious rock band that performed all over the world. Everywhere they went, they world get caught up in a new adventure, mystery or crazy caper. Josie is the lead singer in the band and wears a cat print costume on stage. The Sexy Women’s Josie & The Pussycats Josie Costume is a fun representation of the cartoon character. It features a leopard print dress with an attached tail, a white chest, a keyhole front ad pink bow accents. It also comes with a curly auburn wig with attached ears and bow, and a head microphone. You can add one of our many leopard print shoes to give this costume a complete look.

Archie Josie and The Pussycats Adult Costume $47.99 Josie and the Pussycats are a fictitious rock band that performed all over the world. Everywhere they went, they world get caught up in a new adventure, mystery or crazy caper. Josie is the lead singer in the band and wears a cat print costume on stage. The Sexy Women’s Josie & The Pussycats Josie Costume is a fun representation of the cartoon character. It features a leopard print dress with an attached tail, a white chest, a keyhole front ad pink bow accents. It also comes with a curly auburn wig with attached ears and bow, and a head microphone. You can add one of our many leopard print shoes to give this costume a complete look.

Archie Josie and The Pussycats Adult Costume $47.99 Josie and the Pussycats are a fictitious rock band that performed all over the world. Everywhere they went, they world get caught up in a new adventure, mystery or crazy caper. Josie is the lead singer in the band and wears a cat print costume on stage. The Sexy Women’s Josie & The Pussycats Josie Costume is a fun representation of the cartoon character. It features a leopard print dress with an attached tail, a white chest, a keyhole front ad pink bow accents. It also comes with a curly auburn wig with attached ears and bow, and a head microphone. You can add one of our many leopard print shoes to give this costume a complete look.

Astatic by CAD 119L Gooseneck Cardioid Dynamic Microphone $89.99 The Astatic 119L is a dynamic cardioid microphone, designed especially for gooseneck mounting in quality sound reinforcement and communication installations. A slightly rising high-frequency response and a gentle low-frequency roll-off assure excellent voice reproduction. The mics cardioid directional pattern minimizes feedback, background noise, reverberation, off-axis coloration and placement problems. An internal-vibration isolation system, consisting of a special rubber-mounting ring as a support for the element, reduces gooseneck, stand, and handling noise. The 119L microphone has an effective multi-stage blast filter controls breath pop and wind disturbances.This gooseneck mic by Astatic has a low-impedance output and is supplied with 5-1/2 of rugged two-conductor shielded cable. Its extremely rugged and reliable and will stand up under the most strenuous handling conditions to provide years of dependable service.

Astatic by CAD 119S Gooseneck Cardioid Dynamic Mic Push-to-Talk Switch $99.99 The 119S is a dynamic cardioid microphone with a momentary push button switch, designed especially for gooseneck mounting in quality sound reinforcement and communication installations. A slightly rising high frequency response and a gentle low frequency roll-off, assure excellent voice reproduction. The 119S mics superior cardioid directional pattern minimizes feedback, background noise, reverberation, off-axis coloration and placement problems. An internal vibration isolation system, consisting of a special rubber mounting ring as a support for the element, reduces gooseneck, stand and handling noise. An effective multi-stage blast filter controls breath pop and wind disturbances. The gooseneck mic has a high quality push-to-talk switch. The momentary push button switch is a double-pole, double-throw snap action type with gold-plated contacts. The microphone element is wired normally open. The push button switch also connects to an extra pair of leads in the cable for any additional switching requirements.The 119 Series microphones by Astatic feature all metal construction and are extremely rugged and reliable. They will stand up under the most strenuous handling conditions to provide years of dependable service. The 119 Series features balanced line wiring to allow use with long runs of cable without hum or noise pickup. The cable length for the 119S-19 is 5-1/2. The 119S-19 is finished in satin chrome and includes a 20 chrome gooseneck and flange.

Atlas Sound MS-12C Microphone Stand – 64.0 Height – Steel – Chrome, Ebony $41.5 The Atlas Sound MS-12C is an all-purpose chrome finished stand featuring durable tubing, the famous Atlas Sound wearproof clutch, and a 10 dia. die cast low profile circular base. The three-piece clutch provides positive locking control and is able to withstand years of stage and studio handling. The base features edge concentrated weight distribution and is equipped with rubber pads to absorb shock and protect floor surfaces. The 5/8 and 7/8 dia. tubing is fully adjustable with a vertical extension ranging from 35 to 63 . Tubing is manufactured of cold rolled steel and terminates in the industry standard 5/8 – 27 thread suitable for microphone clamps and accessories. Top and bottom lock-nut rings are included for versatile and secure positioning. Model MS-12C is finished in chrome.

AtlasSound SB-11WE Studio Boom Mic Stand with Air Suspension System – Steel – Ebony $251.5 Economical studio boom is especially suited for small studio/broadcast applications and for stage miking of drums and percussion instruments. Unit features a 60 long, two-piece horizontal boom assembly constructed of steel tubing. Tubing also incorporates a 90 angled end for optimum microphone positioning and terminates in the standard 5?8 – 27 thread to accept all microphones, holders, and adapters. Vertical tube assembly is 11?8 and 7?8 dia. cold rolled steel with an adjustable height span of 43 to 68 . Tubing features the wearproof Atlas Sound grip-action clutch for positive locking control. Triangular die-cast base with edge-concentrated weight distribution offers extra stability and is equipped with three, hard rubber swivel casters for effortless and silent mobility.

Audio Technica AE5400 Audio Technica Large-Diaphragm Cardioid True Condenser Handheld Microphone $380 This is the vocal mic major touring artists are using. Audio-Technica has engineered this hand held stage mic, incorporating a large-diaphragm true condenser element into this rugged, roadworthy hand held stage microphone.Requires phantom power.

Audio-Technica AT2010 Handheld Microphone – Dynamic – Handheld – 40Hz to 20kHz – Cable $99 The AT2010 is designed to bring the studio-quality articulation and intelligibility of Audio-Technica’s renowned 20 Series to the stage, for crystal-clear vocal performances. Featuring the same 16 mm low-mass diaphragm found in the critically acclaimed AT2020 side-address studio condenser, the AT2010 excels wherever articulate vocals are needed: in houses of worship, for solo performances, jazz vocalists, singer/songwriters, and more.

Audio-Technica AT2010 Handheld Microphone – Dynamic – Handheld – 40Hz to 20kHz – Cable $99.99 The AT2010 is designed to bring the studio-quality articulation and intelligibility of Audio-Technica’s renowned 20 Series to the stage, for crystal-clear vocal performances. Featuring the same 16 mm low-mass diaphragm found in the critically acclaimed AT2020 side-address studio condenser, the AT2010 excels wherever articulate vocals are needed: in houses of worship, for solo performances, jazz vocalists, singer/songwriters, and more.

Audio-Technica ATR2100-USB Microphone – 50 Hz to 15 kHz – Wired – Dynamic – Handheld – XLR, USB $79.95 The ATR2100-USB is designed to take you from the stage to the studio and beyond. This rugged handheld microphone offers two outputs, USB output for digital recording, and an XLR output that connects with a sound system’s conventional microphone input for use in live performance. The microphone plugs right into your computer’s USB port, and functions seamlessly with your favorite recording software. The ATR2100-USB also offers a quality analog-to-digital converter for excellent fidelity, and a headphone output with level control for monitoring with no audible delay. Its cardioid polar pattern reduces pickup of unwanted sounds from the sides and rear. The microphone is ideal for live performance, podcasting, home studio recording, field recording, and voice over use.

Audio-Technica Artist ATM410 Cardioid Dynamic Vocal Microphone – Dynamic – Handheld – 90Hz to 16kHz – Cable $79 This cardioid dynamic workhorse is designed for smooth, natural vocal reproduction and low noise. Equipped with a neodymium magnet for high output, and a multi-stage grille design for excellent protection against plosives, this super-durable microphone is built to stand up to life on the road. Its cardioid polar pattern reduces pickup of sounds from the sides and rear, maximizing isolation from other sound sources and minimizing feedback.

Audio-Technica Artist ATM610 Dynamic Vocal Microphone – Handheld – 40Hz to 16kHz – Cable $149 Tuned for clear, detailed, extended-range reproduction of lead and backup vocals, the premier Artist Series dynamic vocal mic is equipped with a rare earth neodymium magnet, a tight hypercardioid polar pattern and multi-stage grille design. The microphone features an innovative dual-wall floating construction; the back-cavity assembly floats inside the handle shell, providing outstanding isolation from handling noise.

Audio-Technica BP892C MicroSet Condenser Headworn Microphone Beige $289 Audio-Technica’s high-SPL BP892C MicroSet headset mic offers you high-quality, low-profile, high-performance audio. Delivering clear-and-accurate sound in an inconspicuous package, the ultra-lightweight Audio-Technica BP892 headworn condenser mic hooks securely behind either ear and can be worn for hours without fatigue. For maximum stability and comfort, the included AT8464 dual-ear microphone mount converts the MicroSet to a dual-ear-worn mic. The Audio-Technica BP892C condenser microphone features a flat, extended frequency response and other outstanding performance specifications, resulting in extremely intelligible, natural audio for stage and television talent, lecturers, and houses of worship. Protected by a highly durable Parylene coating, this Audio-Technica headworn mic is built to stand up to the rigors of day-to-day use.The Audio-Technica MicroSet condenser headworn mic comes in beige with a choice of the following:Unterminated: 55 (1.4m) unterminated cableLemo/M180 connector: 55 (1.4m) cable terminated for Sennheiser wireless systems using Lemo connector3.5 mm connector: 55 (1.4m) cable terminated for Sennheiser wireless systems using locking 3.5mm connector TA4F connector: 55 (1.4m) cable terminated with TA4F connector for Shure wireless systemsTA5F connector: 55 (1.4m) cable terminated with TA5F connector for ATW-U101 and Lectrosonics wireless systemsHRS connector: 55 (1.4m) cable terminated with locking 4-pin connector for A-T UniPak wireless systemsHandles high sound pressure levels with easeExtremely intelligible natural audioInconspicuous, lightweight headset with capsule diameter of just 2.6mmDeal for applications requiring minimum visibilityErgonomic under-ear design: Flexible, lightweight contoured loop hooks behind the ear for an ultra-secure, comfortable fit with or without glassesMicrophone comes equipped with AT8464 Dual-Ear Microphone Mount that converts single ear-worn MicroSet to a dual-ear-worn mic for maximum stability and comfo

Audio-Technica BP892C MicroSet Condenser Headworn Microphone Shure TA4F Black $329 Audio-Technica’s high-SPL BP892C MicroSet headset mic offers you high-quality, low-profile, high-performance audio. Delivering clear-and-accurate sound in an inconspicuous package, the ultra-lightweight Audio-Technica BP892 headworn condenser mic hooks securely behind either ear and can be worn for hours without fatigue. For maximum stability and comfort, the included AT8464 dual-ear microphone mount converts the MicroSet to a dual-ear-worn mic. The Audio-Technica BP892C condenser microphone features a flat, extended frequency response and other outstanding performance specifications, resulting in extremely intelligible, natural audio for stage and television talent, lecturers, and houses of worship. Protected by a highly durable Parylene coating, this Audio-Technica headworn mic is built to stand up to the rigors of day-to-day use.The Audio-Technica MicroSet condenser headworn mic comes in beige with a choice of the following:Unterminated: 55 (1.4m) unterminated cableLemo/M180 connector: 55 (1.4m) cable terminated for Sennheiser wireless systems using Lemo connector3.5 mm connector: 55 (1.4m) cable terminated for Sennheiser wireless systems using locking 3.5mm connector TA4F connector: 55 (1.4m) cable terminated with TA4F connector for Shure wireless systemsTA5F connector: 55 (1.4m) cable terminated with TA5F connector for ATW-U101 and Lectrosonics wireless systemsHRS connector: 55 (1.4m) cable terminated with locking 4-pin connector for A-T UniPak wireless systemsHandles high sound pressure levels with easeExtremely intelligible natural audioInconspicuous, lightweight headset with capsule diameter of just 2.6mmDeal for applications requiring minimum visibilityErgonomic under-ear design: Flexible, lightweight contoured loop hooks behind the ear for an ultra-secure, comfortable fit with or without glassesMicrophone comes equipped with AT8464 Dual-Ear Microphone Mount that converts single ear-worn MicroSet to a dual-ear-worn mic for maximum stability and comfo

Audio-Technica BP892C MicroSet Condenser Headworn Microphone Standard $289 Audio-Technica’s high-SPL BP892C MicroSet headset mic offers you high-quality, low-profile, high-performance audio. Delivering clear-and-accurate sound in an inconspicuous package, the ultra-lightweight Audio-Technica BP892 headworn condenser mic hooks securely behind either ear and can be worn for hours without fatigue. For maximum stability and comfort, the included AT8464 dual-ear microphone mount converts the MicroSet to a dual-ear-worn mic. The Audio-Technica BP892C condenser microphone features a flat, extended frequency response and other outstanding performance specifications, resulting in extremely intelligible, natural audio for stage and television talent, lecturers, and houses of worship. Protected by a highly durable Parylene coating, this Audio-Technica headworn mic is built to stand up to the rigors of day-to-day use.The Audio-Technica MicroSet condenser headworn mic comes in beige with a choice of the following:Unterminated: 55 (1.4m) unterminated cableLemo/M180 connector: 55 (1.4m) cable terminated for Sennheiser wireless systems using Lemo connector3.5 mm connector: 55 (1.4m) cable terminated for Sennheiser wireless systems using locking 3.5mm connector TA4F connector: 55 (1.4m) cable terminated with TA4F connector for Shure wireless systemsTA5F connector: 55 (1.4m) cable terminated with TA5F connector for ATW-U101 and Lectrosonics wireless systemsHRS connector: 55 (1.4m) cable terminated with locking 4-pin connector for A-T UniPak wireless systemsHandles high sound pressure levels with easeExtremely intelligible natural audioInconspicuous, lightweight headset with capsule diameter of just 2.6mmDeal for applications requiring minimum visibilityErgonomic under-ear design: Flexible, lightweight contoured loop hooks behind the ear for an ultra-secure, comfortable fit with or without glassesMicrophone comes equipped with AT8464 Dual-Ear Microphone Mount that converts single ear-worn MicroSet to a dual-ear-worn mic for maximum stability and comfo

Audio-Technica MT830R Lavalier Microphone – Dynamic – Lapel – 30Hz to 20kHz – Cable $208 Designed to be worn as a lavalier or hidden in loose clothing or in the hair, the MT830R provides high intelligibility for lecturers, stage/TV performers and singers. The mic’s wide-range capability ensures clean, accurate reproduction. It operates on phantom power only.

Tags: stage microphone for kids, stage microphone headset, stage microphone reviews, stage microphones, stage microphones theatre

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